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English 09 - Poetry Cheat Sheet (DRAFT) by

This is a draft cheat sheet. It is a work in progress and is not finished yet.

Rhyme

can involve assonance & allite­ration
assonance - similar sounding words on the vowel sound, repetition of similar vowel sounds, (a, e, i, o, u, y)
ex - the rain in Spain falls mainly on the plain
allite­ration - repetition of similar conson­ant­s/s­ounds, usually in consonants or consonants clusters, (y and everything else other than vowels)
ex - he was tried for his treachery but was the truest on earth

Rhythm

based on the # of syllables to a line

Volume

voiced

Consonants

unvoiced

Syllable

one unit of sound
vowel = central sound that helps consonants to be heard, voiceless c are heard on voiced vowels

Blank Verse

unrhymed iambic pentameter
Shakes­paere wrote most of the lines in his play in blank verse
 

Iamb

a unit of rhythm consisting of an unstressed syllable followed by a stress
ex - annoyed, pretend
1st syllables is usually unstressed (unacc­ented) and the 2nd one is stressed
can also consist a word w/ a single unstressed s followed by another word w/ a single stressed s
smay consist a final unstressed s of a word then followed by a stressed s at the start of the next work

Iambic Pentam­enrer

pent = five imabs
meter = frequency of a rhythmic units

Beat Poetry

famous writers - Ginsberg, Kerouac
rejected academic formalism of the American middle class, large free verses, often surrea­listic (drast­ically realis­tic), and was influenced by jazz

Sonnets

1st written in Italian, tradit­ionally were love poems
remained true to the original length of 14 lines and to iambic pentameter
usually written in parts of a series, w/ each sonnet connected to the previous one, many could stand alone as a seoerate poems
can be divided into 2 section: presents the theme, raises an issue or doubt 2: answers the question, solves the problem
2 kinds of sonnets: Italian (Petra­rchan), English (Shake­speare) contains 3 quatrains and 1 couplet, rhyme scheme: abab cdcd efef gg
 

Simile

direct comparison between 2 unlike things
introduced by the work "­lik­e" or "­as"
creates a scene image that makes the 2 things seem similar
often compares an abstract thing/idea to a concrete thing/idea
ex - his hands were like wild birds

Metaphor

acts in a similar way as similar but doesn't use the words "­lik­e" or "­as"
the bridge between 2 things compared is the word "­is" or "­are­"
ex - an aged man is a tattered coat upon a stick

Juxtap­osition

acts in the same way as simile & metaphor
no words are used to bridge the comparison
things compared are placed side by side, so reader mentally assumes a comparison
ex - black car rumbling at a red light; bull pawing the ground while red cape flutters

Abstract

something separate from physical object
can't be seen, heard, smelled, touched or tasted, but are understood as real
ex - happiness, sweetness

Concrete

physical objects that can be experi­enced from the 1 of the 5 senses
ex - roses, fries

Imagist Poems

unfixed form, not a sonnet
variety, irregu­larity, indivi­suality
free verse (no rhyme or rhythm)
strong visual image
expres­sions & commun­ication of a momentary experience is most important
concre­teness (real)