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Cheatography

Disting MK4 ÚLTIMO Cheat Sheet (DRAFT) by

ouygohgouyigoiuygouygouygouyg

This is a draft cheat sheet. It is a work in progress and is not finished yet.

A1 Precision Adder

Z
offset (+/- 10V in 1V steps)
A
X + Y + offset, or X + offset
B
X – Y – offset, or Y ± offset
0
Z Mode
1
Sum Mode
2
Divisor
3
Modulo
4
Slew

A4 Minimu­m/m­aximum

Z
gate (>2.5V, "­HI"; <-1.5V, "­LO")
A
min(X,Y)
B
max(X,Y)

A6 Quantizer

Z
scale, function of Y
X
input CV, 1V/Oct
Y
Z > 0, transpose; Z < 0, trigger
A
quanti­ze(X)
B
trigger on note change
0
-1/31 - input X attenu­ation
1
0/1 - transpose mode
2
-31/31 - key
3
0/31 - offset
4
MIDI Gate
5
Transpose
6
MIDI Mode

B1 Sample and Hold

Z
slew rate
A
X when Y exceeds 1V
B
noise ±8V
0
Mode
1
Offset
2
Noise colour
2.0
Violet
2.1
White
2.2
Pink
2.3
Red
3
Noise X
4
Atten B
5
Up slew
6
Down slew

B2 Slew Rate Limiter

Z
slew rate
A
linear slew rate limited ( X + Y ) or X
B
log slew rate limited ( X + Y ) or Y
0
Up slew
1
Down slew
2
Type A
 
0
Linear
 
1
Logari­thmic
3
Type B
 
0
Linear
 
1
Logari­thmic
4
Mode
 
0
Outputs A & B are both based on the sum of X + Y
 
1
A is based on X, and B is based on Y

MODELO

Z
X
Y
A
B
0
1
2
3
4

MODELO (copy)

Z
X
Y
A
B
0
1
2
3
4

MODELO (copy)

Z
X
Y
A
B
0
1
2
3
4

MODELO (copy)

Z
X
Y
A
B
0
1
2
3
4

B7 VCO with linear FM

Z
tune ±0.5 octaves
X
V/Oct pitch input
Y
linear FM input
A y B
selectable output waveforms
0
Octave shift
1
Sets an attenu­ation for output A
2
Sets an attenu­ation for output B
3
Type A
 
0
Triangle
 
1
Sine
 
2
Square
 
3
Saw
 
4
Sub-octave square
 
5
MIDI gate
4
Type B
5
Fine tune/e­nable sync

B6 Clockable LFO

Z
integer multip­lie­r/d­ivider
X
clock input
Y
waveshape
A
saw -> sine -> triangle
B
pulse -> square -> pulse
0
Output A attenu­verter
1
Output B attenu­verter
2
Y Offset

B5 LFO

Z
tune
X
Hz/V frequency
Y
waveshape
A
saw -> sine -> triangle
B
pulse -> square -> pulse
0
Sets an attenu­ation for output A
1
Sets an attenu­ation for output
2
Sets an offset for output A
3
Sets an offset for output B
4
Y offset
 

A2 Four Quadrant Multiplier

Z
scale (1/10 to 10x)
A
X . Y . scale
B
-X . Y . scale
0
Z Mode (0, 1)
1
Y Offset (±20)

A3 Full-wave Rectifier

Z
mode (-0: indepe­ndent, 0: combined)
A
abs( X + Y ) or abs( X )
B
abs( X - Y ) or abs( Y )

A5 Linear­/Ex­pon­ential Converter

Z
scale (Hz/V, centered on 1kHz)
A
(2^X) * scale
B
log2(Y­/scale)

A7 Comparator

Z
hysteresis
A
gate from X > Y
B
inverted gate
0
X Offset
1
Y Offset

A8 Dual Waveshaper

Z
gain
A
shaped X
B
shaped Y
0
Type A
1
Type B
2
X offset
3
Y offset
4
Mix A
5
Mix B

B3 Pitch and Envelope Tracker

Z
slew rate for envelope
A
V/octave pitch derived from X, plus Y
B
envelope derived from X

B4 Clockable Delay/Echo

Z
feedback
X
signal
Y
clock input
A
output according to mode
B
output according to mode
0
Delay time multiplier
 
-15
1/64
 
-14
1/48
 
-13
1/32
 
-12
1/24
 
-11
1/16
 
-10
1/12
 
-9
1/8
 
-8
1/6
 
-7
3/16
 
-6
1/4
 
-5
5/16
 
-4
1/3
 
-3
3/8
 
-2
1/2
 
-1
3/4
 
0
x1
 
1
x1.5
 
2
x2
 
3
x3
 
4
x4
 
5
x5
 
6
x6
 
7
x8
 
8
x16
1
Output mode
 
0
A is mix; B is delay only
 
1
A & B are mix
 
2
A & B are delay only
2
Mix
3
Feedback
4
MIDI clock divider
 
0
MIDI clock off
 
1
1/32
 
2
1/16 triplet
 
3
1/16
 
4
1/8 triplet
 
5
3/32
 
6
1/8
 
7
1/4 triplet
 
8
3/16
 
9
1/4
 
10
1/2 triplet
 
11
3/8
 
12
1/2
 
13
1/1 triplet
 
14
3/4
 
15
1/1