Cheatography
https://cheatography.com
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This is a draft cheat sheet. It is a work in progress and is not finished yet.
A1 Precision Adder
Z |
offset (+/- 10V in 1V steps) |
A |
X + Y + offset, or X + offset |
B |
X – Y – offset, or Y ± offset |
0 |
Z Mode |
1 |
Sum Mode |
2 |
Divisor |
3 |
Modulo |
4 |
Slew |
A4 Minimum/maximum
Z |
gate (>2.5V, "HI"; <-1.5V, "LO") |
A |
min(X,Y) |
B |
max(X,Y) |
A6 Quantizer
Z |
scale, function of Y |
X |
input CV, 1V/Oct |
Y |
Z > 0, transpose; Z < 0, trigger |
A |
quantize(X) |
B |
trigger on note change |
0 |
-1/31 - input X attenuation |
1 |
0/1 - transpose mode |
2 |
-31/31 - key |
3 |
0/31 - offset |
4 |
MIDI Gate |
5 |
Transpose |
6 |
MIDI Mode |
B1 Sample and Hold
Z |
slew rate |
A |
X when Y exceeds 1V |
B |
noise ±8V |
0 |
Mode |
1 |
Offset |
2 |
Noise colour |
2.0 |
Violet |
2.1 |
White |
2.2 |
Pink |
2.3 |
Red |
3 |
Noise X |
4 |
Atten B |
5 |
Up slew |
6 |
Down slew |
B2 Slew Rate Limiter
Z |
slew rate |
A |
linear slew rate limited ( X + Y ) or X |
B |
log slew rate limited ( X + Y ) or Y |
0 |
Up slew |
1 |
Down slew |
2 |
Type A |
|
0 |
Linear |
|
1 |
Logarithmic |
3 |
Type B |
|
0 |
Linear |
|
1 |
Logarithmic |
4 |
Mode |
|
0 |
Outputs A & B are both based on the sum of X + Y |
|
1 |
A is based on X, and B is based on Y |
B7 VCO with linear FM
Z |
tune ±0.5 octaves |
X |
V/Oct pitch input |
Y |
linear FM input |
A y B |
selectable output waveforms |
0 |
Octave shift |
1 |
Sets an attenuation for output A |
2 |
Sets an attenuation for output B |
3 |
Type A |
|
0 |
Triangle |
|
1 |
Sine |
|
2 |
Square |
|
3 |
Saw |
|
4 |
Sub-octave square |
|
5 |
MIDI gate |
4 |
Type B |
5 |
Fine tune/enable sync |
B6 Clockable LFO
Z |
integer multiplier/divider |
X |
clock input |
Y |
waveshape |
A |
saw -> sine -> triangle |
B |
pulse -> square -> pulse |
0 |
Output A attenuverter |
1 |
Output B attenuverter |
2 |
Y Offset |
B5 LFO
Z |
tune |
X |
Hz/V frequency |
Y |
waveshape |
A |
saw -> sine -> triangle |
B |
pulse -> square -> pulse |
0 |
Sets an attenuation for output A |
1 |
Sets an attenuation for output |
2 |
Sets an offset for output A |
3 |
Sets an offset for output B |
4 |
Y offset |
|
|
A2 Four Quadrant Multiplier
Z |
scale (1/10 to 10x) |
A |
X . Y . scale |
B |
-X . Y . scale |
0 |
Z Mode (0, 1) |
1 |
Y Offset (±20) |
A3 Full-wave Rectifier
Z |
mode (-0: independent, 0: combined) |
A |
abs( X + Y ) or abs( X ) |
B |
abs( X - Y ) or abs( Y ) |
A5 Linear/Exponential Converter
Z |
scale (Hz/V, centered on 1kHz) |
A |
(2^X) * scale |
B |
log2(Y/scale) |
A7 Comparator
Z |
hysteresis |
A |
gate from X > Y |
B |
inverted gate |
0 |
X Offset |
1 |
Y Offset |
A8 Dual Waveshaper
Z |
gain |
A |
shaped X |
B |
shaped Y |
0 |
Type A |
1 |
Type B |
2 |
X offset |
3 |
Y offset |
4 |
Mix A |
5 |
Mix B |
B3 Pitch and Envelope Tracker
Z |
slew rate for envelope |
A |
V/octave pitch derived from X, plus Y |
B |
envelope derived from X |
B4 Clockable Delay/Echo
Z |
feedback |
X |
signal |
Y |
clock input |
A |
output according to mode |
B |
output according to mode |
0 |
Delay time multiplier |
|
-15 |
1/64 |
|
-14 |
1/48 |
|
-13 |
1/32 |
|
-12 |
1/24 |
|
-11 |
1/16 |
|
-10 |
1/12 |
|
-9 |
1/8 |
|
-8 |
1/6 |
|
-7 |
3/16 |
|
-6 |
1/4 |
|
-5 |
5/16 |
|
-4 |
1/3 |
|
-3 |
3/8 |
|
-2 |
1/2 |
|
-1 |
3/4 |
|
0 |
x1 |
|
1 |
x1.5 |
|
2 |
x2 |
|
3 |
x3 |
|
4 |
x4 |
|
5 |
x5 |
|
6 |
x6 |
|
7 |
x8 |
|
8 |
x16 |
1 |
Output mode |
|
0 |
A is mix; B is delay only |
|
1 |
A & B are mix |
|
2 |
A & B are delay only |
2 |
Mix |
3 |
Feedback |
4 |
MIDI clock divider |
|
0 |
MIDI clock off |
|
1 |
1/32 |
|
2 |
1/16 triplet |
|
3 |
1/16 |
|
4 |
1/8 triplet |
|
5 |
3/32 |
|
6 |
1/8 |
|
7 |
1/4 triplet |
|
8 |
3/16 |
|
9 |
1/4 |
|
10 |
1/2 triplet |
|
11 |
3/8 |
|
12 |
1/2 |
|
13 |
1/1 triplet |
|
14 |
3/4 |
|
15 |
1/1 |
|