Cheatography
https://cheatography.com
Cheat sheet for live sound, various information that I think is important
This is a draft cheat sheet. It is a work in progress and is not finished yet.
Mic Kits
Name |
Type |
Receiver |
Handheld |
Bodypack |
Frequency |
Channel |
Apollo |
Single |
QLX-D |
QLXD1 |
QLXD2 |
475.400 |
U1-1 |
Atlas |
Single |
QLX-D |
QLXD1 |
QLXD2 |
478.650 |
U1-3 |
Calypso |
Single |
QLX-D |
QLXD1 |
QLXD2 |
479.025 |
U1-4 |
Hercules |
Single |
QLX-D |
QLXD1 |
QLXD2 |
479.475 |
U1-5 |
Icarus |
Single |
QLX-D |
QLXD1 |
QLXD2 |
480.100 |
U1-6 |
Jason |
Single |
QLX-D |
QLXD1 |
QLXD2 |
480.625 |
U1-7 |
Midas |
Single |
QLX-D |
QLXD1 |
QLXD2 |
481.300 |
U1-8 |
Orion |
Single |
QLX-D |
QLXD1 |
QLXD2 |
482.150 |
U1-9 |
Pandora 1 |
Dual |
ULXD4D |
ULXD2 |
ULXD1 |
486.100 |
U1-12 |
Pandora 2 |
Dual |
ULXD4D |
ULXD2 |
ULXD1 |
486.500 |
U1-13 |
Hydra 1 |
Dual |
UR4D |
UR2 |
UR1 |
492.000 |
U1-14 |
Hydra 2 |
Dual |
UR4D |
UR2 |
UR1 |
493.875 |
U1-16 |
Poseidon 1 |
Dual |
UR4D |
UR2 |
UR1 |
500.975 |
U1-17 |
Poseidon 2 |
Dual |
UR4D |
UR2 |
UR1 |
501.475 |
U1-18 |
Talos 1 |
Dual |
UR4D |
UR2 |
UR1 |
502.175 |
U1-19 |
Talos 2 |
Dual |
UR4D |
UR2 |
UR1 |
503.200 |
U1-20 |
Olympus 1 |
Quad |
UR4D |
UR2 |
UR1 |
503.550 |
U1-21 |
Olympus 2 |
Quad |
UR4D |
UR2 |
UR1 |
508.800 |
U1-22 |
Olympus 3 |
Quad |
UR4D |
UR2 |
UR1 |
511.425 |
U1-23 |
Olympus 4 |
Quad |
UR4D |
UR2 |
UR1 |
518.625 |
U1-24 |
Cerberus 1 |
Dual |
ULXD4D |
ULXD2 |
ULXD1 |
548.925 |
U1-1 |
Cerberus 2 |
Dual |
ULXD4D |
ULXD2 |
ULXD1 |
552.150 |
U1-2 |
Medusa 1 |
Dual |
ULXD4D |
ULXD2 |
ULXD1 |
552.825 |
U1-3 |
Medusa 2 |
Dual |
ULXD4D |
ULXD2 |
ULXD1 |
555.575 |
U1-4 |
Band Info:
QLX-D - G50 - 470-534 MHz
ULXD4D (Medusa and Cerberus) - H50 - 534-598 MHz
ULXD4D (Pandora) - G50 - 470-534 MHz
UR4D - G1 - 470-530 MHz
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Mic vs. Line
Mic level - Weaker signal, typically between 1 mV to, at most, a few dozen mV.
Line level - Stronger signal, around 1 volt. This means line level can be 1000 times more voltage than line level.
Check the back of the mic kits to make sure they are sending out mic level. There's very little reason to ever have a mic kit output line level. |
IMPORTANT - Never plug a line level output into a mic level input. The input is expecting a few millivolts, and is now receiving 1000 times the voltage. This can damage circuits, create feedback issues, create distortion, and more.
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Gain staging
Gain adjusts the amount of voltage in the audio signal. Theoretically, increasing or decreasing gain makes the signal voltage stronger or weaker without changing the waveform. |
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Backup Frequencies
G50 (470-534) |
H50 (534-598) |
478.125 - U1-2 |
556.425 - U1-5 |
484.050 - U1-10 |
558.150 - U1-6 |
485.025 - U1-11 |
558.500 - U1-7 |
493.325 - U1-15 |
584.125 - U1-8 |
520.375 - U1-25 |
596.700 - U1-9 |
522.000 - U1-26 |
597.050 - U1-10 |
These backups are programmed into the respective units. Double check that the frequencies match the custom group if you have to change the frequency.
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