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Cheatsheet for Arturia's MicroFreak

Oscillator Types

TYPE
WAVE
TIMBRE
SHAPE
Basi­cWa­ves
Morph
Sym
Sub
 
Morphing from square
to saw to 2 saw
Pulse width or
phasing between saws
Sine sub
Supe­rWave
Wave
Detune
Volume
 
Saw, square, triangle or sinus
Detuning amount
Detuned waves amplitude
Wave­table
Table
Position
Chorus
 
Wave selection
Cycle position within wave
Chorus effect amount
Harmo
Content
Sculpting
Chorus
 
Morphing through harmonic
amplitude tables
Morphing between sine and triangle
Chorus effect amount
Karp­lus­Str
Bow
Position
Decay
 
Amount of bow applied besides the strike
Position of the strike on the resonator
Amount of resonance
V.An­alog
Detune
Shape
Wave
 
Detuning between the two waves
Morphing from narrow pulse
to square to hard sync formants
Morphing betweeen triangle and saw
Wave­sha­per
Wave
Amount
Asym
 
Waves­haper waveform
Wavef­older amount
Waveform asymmetry
Two Op. FM
Ratio
Amount
Shape
 
Frequency ratio bewtween oscill­ators
Modul­ation index
Feedback amount
Form­ant
Interval
Formant
Shape
 
Frequency ratio between formants 1 and 2
Formant frequency
Formant width and shape
Chords
Type
Inv/Transp
Waveform
 
Octave, 5h, sus4, m, m7, m9, m11,
6th+9th, M9, M7, M
Changes inversion and
frequency range of the chords
Waveform type:
[0-50] = string­-ma­chine like waveform,
[50-100] = 16 waveta­bles
Speech
Type
Timbre
Word
 
Formants, colors, numbers,
letters, words
Shift the formans up or down
Scan through words, depending on Type
Modal
Inharm
Timbre
Decay
 
Amount of inharm­oni­city
Excit­ation brightness and dust density
Damping, decay time
Noise
Tune
Rate
Balance
 
Particle noise to white noise
to metallic noise
Sample rate reduction
(+ pitch control for
square waves in metallic noise)
Morph between
noise only (0%), noise+sine (33%),
noise+­tri­angle (66%), noise+­square (100%)
Voco­der
Wave
Shift
Bandwidth
 
[0-11] saw, [11-90] pulse width 50% to 99%,
[91-100] noise
Vocoder frequency range
Vocoder's filer bandwi­dths

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