\documentclass[10pt,a4paper]{article}

% Packages
\usepackage{fancyhdr}           % For header and footer
\usepackage{multicol}           % Allows multicols in tables
\usepackage{tabularx}           % Intelligent column widths
\usepackage{tabulary}           % Used in header and footer
\usepackage{hhline}             % Border under tables
\usepackage{graphicx}           % For images
\usepackage{xcolor}             % For hex colours
%\usepackage[utf8x]{inputenc}    % For unicode character support
\usepackage[T1]{fontenc}        % Without this we get weird character replacements
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\usepackage{lastpage}           % Needed for total page number
\usepackage{seqsplit}           % Splits long words.
%\usepackage{opensans}          % Can't make this work so far. Shame. Would be lovely.
\usepackage[normalem]{ulem}     % For underlining links
% Most of the following are not required for the majority
% of cheat sheets but are needed for some symbol support.
\usepackage{amsmath}            % Symbols
\usepackage{MnSymbol}           % Symbols
\usepackage{wasysym}            % Symbols
%\usepackage[english,german,french,spanish,italian]{babel}              % Languages

% Document Info
\author{This.Musician (This.Musician.21)}
\pdfinfo{
  /Title (chord-symbols-part-i.pdf)
  /Creator (Cheatography)
  /Author (This.Musician (This.Musician.21))
  /Subject (Chord Symbols - Part I Cheat Sheet)
}

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% This two commands together give roughly
% the right line height in the tables
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% Commands
\newcommand{\SetRowColor}[1]{\noalign{\gdef\RowColorName{#1}}\rowcolor{\RowColorName}} % Shortcut for row colour
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\renewcommand{\familydefault}{\sfdefault}
\color{TextColor}

% Header and Footer
\pagestyle{fancy}
\fancyhead{} % Set header to blank
\fancyfoot{} % Set footer to blank
\fancyhead[L]{
\noindent
\begin{multicols}{3}
\begin{tabulary}{5.8cm}{C}
    \SetRowColor{DarkBackground}
    \vspace{-7pt}
    {\parbox{\dimexpr\textwidth-2\fboxsep\relax}{\noindent
        \hspace*{-6pt}\includegraphics[width=5.8cm]{/web/www.cheatography.com/public/images/cheatography_logo.pdf}}
    }
\end{tabulary}
\columnbreak
\begin{tabulary}{11cm}{L}
    \vspace{-2pt}\large{\bf{\textcolor{DarkBackground}{\textrm{Chord Symbols - Part I Cheat Sheet}}}} \\
    \normalsize{by \textcolor{DarkBackground}{This.Musician (This.Musician.21)} via \textcolor{DarkBackground}{\uline{cheatography.com/161384/cs/33848/}}}
\end{tabulary}
\end{multicols}}

\fancyfoot[L]{ \footnotesize
\noindent
\begin{multicols}{3}
\begin{tabulary}{5.8cm}{LL}
  \SetRowColor{FootBackground}
  \mymulticolumn{2}{p{5.377cm}}{\bf\textcolor{white}{Cheatographer}}  \\
  \vspace{-2pt}This.Musician (This.Musician.21) \\
  \uline{cheatography.com/this-musician-21} \\
  \end{tabulary}
\vfill
\columnbreak
\begin{tabulary}{5.8cm}{L}
  \SetRowColor{FootBackground}
  \mymulticolumn{1}{p{5.377cm}}{\bf\textcolor{white}{Cheat Sheet}}  \\
   \vspace{-2pt}Published 28th August, 2022.\\
   Updated 31st August, 2023.\\
   Page {\thepage} of \pageref{LastPage}.
\end{tabulary}
\vfill
\columnbreak
\begin{tabulary}{5.8cm}{L}
  \SetRowColor{FootBackground}
  \mymulticolumn{1}{p{5.377cm}}{\bf\textcolor{white}{Sponsor}}  \\
  \SetRowColor{white}
  \vspace{-5pt}
  %\includegraphics[width=48px,height=48px]{dave.jpeg}
  Measure your website readability!\\
  www.readability-score.com
\end{tabulary}
\end{multicols}}




\begin{document}
\raggedright
\raggedcolumns

% Set font size to small. Switch to any value
% from this page to resize cheat sheet text:
% www.emerson.emory.edu/services/latex/latex_169.html
\footnotesize % Small font.


\begin{tabularx}{17.67cm}{x{4.8923 cm} x{6.748 cm} x{5.2297 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{3}{x{17.67cm}}{\bf\textcolor{white}{Omit}}  \tn
% Row 0
\SetRowColor{LightBackground}
\{\{ac\}\}{\bf{Chord:}} & \{\{ac\}\}{\bf{Writing:}} & \{\{ac\}\}{\bf{Chord Structure (L-H)}} \tn 
% Row Count 3 (+ 3)
% Row 1
\SetRowColor{white}
\{\{ac\}\}C7sus4 (omit5) or (No5) & \{\{ac\}\}C\textasciicircum{}7\textasciicircum{}`sus4 (omit5)`, C\textasciicircum{}7\textasciicircum{}`sus4 (no5)` & \{\{ac\}\}C, E, F, B♭ \tn 
% Row Count 6 (+ 3)
\hhline{>{\arrayrulecolor{DarkBackground}}---}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{x{5.181 cm} x{12.089 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{17.67cm}}{\bf\textcolor{white}{Triads (Using C as the Chord root)}}  \tn
% Row 0
\SetRowColor{LightBackground}
\{\{ac\}\}{\bf{Chord:}} & \{\{ac\}\}{\bf{Writing:}} \tn 
% Row Count 2 (+ 2)
% Row 1
\SetRowColor{white}
\{\{ac\}\}Major: & \{\{ac\}\}C, CM, CMaj, C∆ \tn 
% Row Count 3 (+ 1)
% Row 2
\SetRowColor{LightBackground}
\{\{ac\}\}Minor: & \{\{ac\}\}c, Cm, Cmin, C- \tn 
% Row Count 4 (+ 1)
% Row 3
\SetRowColor{white}
\{\{ac\}\}Diminished: & \{\{ac\}\}C`dim`, C\textasciicircum{}o\textasciicircum{}, Cm\textasciicircum{}(♭5)\textasciicircum{}, C-\textasciicircum{}(♭5)\textasciicircum{} \tn 
% Row Count 6 (+ 2)
% Row 4
\SetRowColor{LightBackground}
\{\{ac\}\}Augmented: & \{\{ac\}\}C`aug`, C+, C\textasciicircum{}(\#5)\textasciicircum{} \tn 
% Row Count 8 (+ 2)
% Row 5
\SetRowColor{white}
\{\{ac\}\}Major ♭5 & \{\{ac\}\}CM\textasciicircum{}♭5\textasciicircum{}, C\textasciicircum{}♭5\textasciicircum{} \tn 
% Row Count 10 (+ 2)
\hhline{>{\arrayrulecolor{DarkBackground}}--}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{x{7.7715 cm} x{9.4985 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{17.67cm}}{\bf\textcolor{white}{Seventh Chords (Using C as the chord root)}}  \tn
% Row 0
\SetRowColor{LightBackground}
\{\{ac\}\}{\bf{Chord:}} & \{\{ac\}\}{\bf{Writing:}} \tn 
% Row Count 1 (+ 1)
% Row 1
\SetRowColor{white}
\{\{ac\}\}Dominant: & \{\{ac\}\}C\textasciicircum{}7\textasciicircum{} \tn 
% Row Count 2 (+ 1)
% Row 2
\SetRowColor{LightBackground}
\{\{ac\}\}Dominant Flat 5 & \{\{ac\}\}C\textasciicircum{}7(♭5)\textasciicircum{} \tn 
% Row Count 4 (+ 2)
% Row 3
\SetRowColor{white}
\{\{ac\}\}Dominant Sus 2/ Sus 4 & \{\{ac\}\}C\textasciicircum{}7sus2\textasciicircum{}, C\textasciicircum{}7sus4\textasciicircum{} \tn 
% Row Count 6 (+ 2)
% Row 4
\SetRowColor{LightBackground}
\{\{ac\}\}Dominant Seven/Six & \{\{ac\}\}C\textasciicircum{}7/6\textasciicircum{} \tn 
% Row Count 8 (+ 2)
% Row 5
\SetRowColor{white}
\{\{ac\}\}Major: & \{\{ac\}\}C\textasciicircum{}maj7\textasciicircum{}, C∆\textasciicircum{}7\textasciicircum{}, C∆ \tn 
% Row Count 10 (+ 2)
% Row 6
\SetRowColor{LightBackground}
\{\{ac\}\}Major Seventh Flat Five: & \{\{ac\}\}CM\textasciicircum{}7(♭5)\textasciicircum{} \tn 
% Row Count 12 (+ 2)
% Row 7
\SetRowColor{white}
\{\{ac\}\}Major sus 2/ Sus 4 & \{\{ac\}\}CM\textasciicircum{}7sus2\textasciicircum{}, CM\textasciicircum{}7sus4\textasciicircum{} \tn 
% Row Count 14 (+ 2)
% Row 8
\SetRowColor{LightBackground}
\{\{ac\}\}Minor: & \{\{ac\}\}Cm\textasciicircum{}7\textasciicircum{}, Cmin\textasciicircum{}7\textasciicircum{}, C-\textasciicircum{}7\textasciicircum{} \tn 
% Row Count 16 (+ 2)
% Row 9
\SetRowColor{white}
\{\{ac\}\}Minor Major: & \{\{ac\}\}CmM\textasciicircum{}7\textasciicircum{}, Cmin\textasciicircum{}Maj7\textasciicircum{}, C-\textasciicircum{}M7\textasciicircum{} \tn 
% Row Count 18 (+ 2)
% Row 10
\SetRowColor{LightBackground}
\{\{ac\}\}Minor Seven/Six & \{\{ac\}\}Cm\textasciicircum{}7/6\textasciicircum{} \tn 
% Row Count 20 (+ 2)
% Row 11
\SetRowColor{white}
\{\{ac\}\}Minor Major Seventh Sharp 5 & \{\{ac\}\}Cm\textasciicircum{}M7(♯5)\textasciicircum{}, Cmin\textasciicircum{}M7(♯5)\textasciicircum{} \tn 
% Row Count 22 (+ 2)
% Row 12
\SetRowColor{LightBackground}
\{\{ac\}\}Augmented: & \{\{ac\}\}C`aug`\textasciicircum{}7\textasciicircum{}, C+\textasciicircum{}7\textasciicircum{}, C\textasciicircum{}7♯5\textasciicircum{} \tn 
% Row Count 24 (+ 2)
% Row 13
\SetRowColor{white}
\{\{ac\}\}Augmented Major Seventh & \{\{ac\}\}CM\textasciicircum{}7(♯5)\textasciicircum{}, C`aug`\textasciicircum{}M7\textasciicircum{}, C+\textasciicircum{}M7\textasciicircum{}, C+\textasciicircum{}∆7\textasciicircum{} \tn 
% Row Count 27 (+ 3)
% Row 14
\SetRowColor{LightBackground}
\{\{ac\}\}Half-Diminished: & \{\{ac\}\}C\textasciicircum{}ø\textasciicircum{}, C\textasciicircum{}ø7\textasciicircum{}, Cm\textasciicircum{}7(♭5)\textasciicircum{} , C-\textasciicircum{}7(♭5)\textasciicircum{} \tn 
% Row Count 30 (+ 3)
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{x{7.7715 cm} x{9.4985 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{17.67cm}}{\bf\textcolor{white}{Seventh Chords (Using C as the chord root) (cont)}}  \tn
% Row 15
\SetRowColor{LightBackground}
\{\{ac\}\}Diminished: & \{\{ac\}\}C\textasciicircum{}o7\textasciicircum{}, C`dim`\textasciicircum{}7\textasciicircum{} \tn 
% Row Count 1 (+ 1)
% Row 16
\SetRowColor{white}
\{\{ac\}\}Diminished Major Seventh: & \{\{ac\}\}C\textasciicircum{}oM7\textasciicircum{} \tn 
% Row Count 3 (+ 2)
\hhline{>{\arrayrulecolor{DarkBackground}}--}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{X}
\SetRowColor{DarkBackground}
\mymulticolumn{1}{x{17.67cm}}{\bf\textcolor{white}{{\bf{Upper Chord Extensions (9,11,13)}}}}  \tn
\SetRowColor{white}
\mymulticolumn{1}{x{17.67cm}}{When editing Upper chord extensions, unless it says (add), we stack up to the chord. C\textasciicircum{}9\textasciicircum{} would be: {\emph{C, E, G, Bb, D}}, with D being the ninth. When it says (add) or has an (add) symbol, we use the root chord and add the note notated on top. {\bf{All of these are based on a Dominant 7th chord.}} If we wanted a Major 7th we would notate that and the added note.% Row Count 8 (+ 8)
} \tn 
\hhline{>{\arrayrulecolor{DarkBackground}}-}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{x{5.5671 cm} x{5.5671 cm} x{5.7358 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{3}{x{17.67cm}}{\bf\textcolor{white}{9ths}}  \tn
% Row 0
\SetRowColor{LightBackground}
\{\{ac\}\}{\bf{Chord}} & \{\{ac\}\} {\bf{Chord Symbol}} & \{\{ac\}\} {\bf{Notes in Chord (L-H)}} \tn 
% Row Count 3 (+ 3)
% Row 1
\SetRowColor{white}
\{\{ac\}\}9\textasciicircum{}ths\textasciicircum{}: & \{\{ac\}\}C\textasciicircum{}9\textasciicircum{} & \{\{ac\}\}C, E, G, B♭, D \tn 
% Row Count 5 (+ 2)
% Row 2
\SetRowColor{LightBackground}
\{\{ac\}\}Major Ninth & \{\{ac\}\}CM\textasciicircum{}9\textasciicircum{}, CMaj\textasciicircum{}9\textasciicircum{} & \{\{ac\}\}C, E, G, B, D \tn 
% Row Count 7 (+ 2)
% Row 3
\SetRowColor{white}
\{\{ac\}\}Minor Ninth & \{\{ac\}\}Cm\textasciicircum{}9\textasciicircum{}, Cmin\textasciicircum{}9\textasciicircum{} & \{\{ac\}\}C, E♭, G, B♭, D \tn 
% Row Count 9 (+ 2)
% Row 4
\SetRowColor{LightBackground}
\{\{ac\}\}Minor-Major Ninth & \{\{ac\}\}Cm\textasciicircum{}M9\textasciicircum{}, Cmin\textasciicircum{}Maj9\textasciicircum{} & \{\{ac\}\}C E♭, G, B, D \tn 
% Row Count 11 (+ 2)
% Row 5
\SetRowColor{white}
\{\{ac\}\}Minor Seventh Flat 9 & \{\{ac\}\}Cm\textasciicircum{}7(♭9)\textasciicircum{}, Cmin\textasciicircum{}7(♭9)\textasciicircum{} & \{\{ac\}\}C, E♭, G, B♭, D♭ \tn 
% Row Count 14 (+ 3)
% Row 6
\SetRowColor{LightBackground}
\{\{ac\}\}Major Seventh Flat 9 & \{\{ac\}\}CM\textasciicircum{}7(♭9)\textasciicircum{} & \{\{ac\}\}C, E, G, B, D♭ \tn 
% Row Count 16 (+ 2)
% Row 7
\SetRowColor{white}
\{\{ac\}\}Major Seventh Sharp 9 & \{\{ac\}\}CM\textasciicircum{}7(♯9)\textasciicircum{} & \{\{ac\}\}C, E, G, B, D♯ \tn 
% Row Count 19 (+ 3)
% Row 8
\SetRowColor{LightBackground}
\{\{ac\}\}Dominant Seventh Sharp 9 & \{\{ac\}\}C\textasciicircum{}7(♯9)\textasciicircum{} & \{\{ac\}\}C, E, G, B♭, D♯ \tn 
% Row Count 22 (+ 3)
% Row 9
\SetRowColor{white}
\{\{ac\}\}Dominant Seventh Flat 9 & \{\{ac\}\}C\textasciicircum{}7(♭9)\textasciicircum{} & \{\{ac\}\}C, E, G, B♭, D♭ \tn 
% Row Count 25 (+ 3)
% Row 10
\SetRowColor{LightBackground}
\{\{ac\}\}Minor-Major Seventh Flat 9 & \{\{ac\}\}Cm\textasciicircum{}M7(♭9)\textasciicircum{} & \{\{ac\}\}C, E♭, G, B, D♭ \tn 
% Row Count 28 (+ 3)
% Row 11
\SetRowColor{white}
\{\{ac\}\}Dominant Ninth Flat 5 & \{\{ac\}\}C\textasciicircum{}9(♭5)\textasciicircum{} & \{\{ac\}\}C, E, G♭, B♭, D \tn 
% Row Count 31 (+ 3)
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{x{5.5671 cm} x{5.5671 cm} x{5.7358 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{3}{x{17.67cm}}{\bf\textcolor{white}{9ths (cont)}}  \tn
% Row 12
\SetRowColor{LightBackground}
\{\{ac\}\}Major Ninth Flat 5 & \{\{ac\}\}CM\textasciicircum{}9(♭5)\textasciicircum{} & \{\{ac\}\}C, E, G♭, B, D \tn 
% Row Count 2 (+ 2)
% Row 13
\SetRowColor{white}
\{\{ac\}\}Diminished Ninth & \{\{ac\}\}C\textasciicircum{}o9\textasciicircum{}, C`dim`\textasciicircum{}9\textasciicircum{} & \{\{ac\}\}C, E♭, G♭, \textasciicircum{}(𝄫7)\textasciicircum{}A, D \tn 
% Row Count 5 (+ 3)
% Row 14
\SetRowColor{LightBackground}
\{\{ac\}\}Half-Diminished Ninth & \{\{ac\}\}C\textasciicircum{}ø9\textasciicircum{}, Cmin\textasciicircum{}9(♭5)\textasciicircum{} & \{\{ac\}\}C, E♭, G♭, B♭, D♭ \tn 
% Row Count 8 (+ 3)
% Row 15
\SetRowColor{white}
\{\{ac\}\}Augmented Dominant Ninth & \{\{ac\}\}C\textasciicircum{}9(♯5)\textasciicircum{} & \{\{ac\}\}C, E, G♯, B♭, D \tn 
% Row Count 11 (+ 3)
% Row 16
\SetRowColor{LightBackground}
\{\{ac\}\}Augmented Major Ninth & \{\{ac\}\}CM\textasciicircum{}9(♯5)\textasciicircum{} & \{\{ac\}\}C, E, G♯, B, D \tn 
% Row Count 14 (+ 3)
\hhline{>{\arrayrulecolor{DarkBackground}}---}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{x{5.7358 cm} x{5.3984 cm} x{5.7358 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{3}{x{17.67cm}}{\bf\textcolor{white}{Upper Chord Extensions 11}}  \tn
% Row 0
\SetRowColor{LightBackground}
\{\{ac\}\}{\bf{Chord:}} & \{\{ac\}\}{\bf{Writing:}} & \{\{ac\}\}{\bf{Chord Structure (L-H)}} \tn 
% Row Count 3 (+ 3)
% Row 1
\SetRowColor{white}
\{\{ac\}\}11\textasciicircum{}ths\textasciicircum{} & \{\{ac\}\}C\textasciicircum{}11\textasciicircum{} & \{\{ac\}\}C, E, (G), B ♭, (D), F \tn 
% Row Count 6 (+ 3)
% Row 2
\SetRowColor{LightBackground}
\{\{ac\}\}Major Eleventh & \{\{ac\}\}CM\textasciicircum{}11\textasciicircum{}, CMaj\textasciicircum{}11\textasciicircum{} & \{\{ac\}\}C, E, (G), B, (D), F \tn 
% Row Count 8 (+ 2)
% Row 3
\SetRowColor{white}
\{\{ac\}\}Minor Eleventh & \{\{ac\}\}Cm\textasciicircum{}11\textasciicircum{}, Cminaj\textasciicircum{}11\textasciicircum{}, C-\textasciicircum{}11\textasciicircum{} & \{\{ac\}\}C, E♭, (G), B ♭, (D), F \tn 
% Row Count 11 (+ 3)
% Row 4
\SetRowColor{LightBackground}
\{\{ac\}\}Minor Major Eleventh & \{\{ac\}\}Cm\textasciicircum{}M11\textasciicircum{}, Cmin\textasciicircum{}Maj11\textasciicircum{} & \{\{ac\}\}C, E♭, (G), B , (D), F \tn 
% Row Count 14 (+ 3)
% Row 5
\SetRowColor{white}
\{\{ac\}\}Lydian Dominant & \{\{ac\}\}C\textasciicircum{}7(♯11)\textasciicircum{}, C\textasciicircum{}♯11\textasciicircum{} & \{\{ac\}\}C, E, (G), B♭, (D), F♯ \tn 
% Row Count 17 (+ 3)
% Row 6
\SetRowColor{LightBackground}
\{\{ac\}\}Major Seventh Sharp 11 & \{\{ac\}\}CM\textasciicircum{}7(♯11)\textasciicircum{}, C∆\textasciicircum{}7(♯11)\textasciicircum{} & \{\{ac\}\}C, E, (G), B, (D), F♯ \tn 
% Row Count 20 (+ 3)
% Row 7
\SetRowColor{white}
\{\{ac\}\}Minor Ninth Sharp 11 & \{\{ac\}\}Cm\textasciicircum{}9(♯11)\textasciicircum{} & \{\{ac\}\}C, E♭, (G), B♭, (D), F♯ \tn 
% Row Count 23 (+ 3)
% Row 8
\SetRowColor{LightBackground}
\{\{ac\}\}Dominant Eleventh Flat 5 & \{\{ac\}\}C\textasciicircum{}11(♭5)\textasciicircum{} & \{\{ac\}\}C, E, G♭, B♭, (D), F \tn 
% Row Count 26 (+ 3)
% Row 9
\SetRowColor{white}
\{\{ac\}\}Dimibished Eleventh & \{\{ac\}\}C\textasciicircum{}o11\textasciicircum{}, C`dim`\textasciicircum{}11\textasciicircum{} & \{\{ac\}\}C, E♭, G♭, B, (D), F \tn 
% Row Count 29 (+ 3)
% Row 10
\SetRowColor{LightBackground}
\{\{ac\}\}Half-Diminished eleventh & \{\{ac\}\}C\textasciicircum{}ø11\textasciicircum{}, Cmin\textasciicircum{}11(♭5)\textasciicircum{} & \{\{ac\}\}C, E♭, G♭, B♭, (D), F \tn 
% Row Count 32 (+ 3)
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{x{5.7358 cm} x{5.3984 cm} x{5.7358 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{3}{x{17.67cm}}{\bf\textcolor{white}{Upper Chord Extensions 11 (cont)}}  \tn
% Row 11
\SetRowColor{LightBackground}
\{\{ac\}\}Augmented Major Eleventh & \{\{ac\}\}CM\textasciicircum{}11(♯5)\textasciicircum{} & \{\{ac\}\}C, E, G♯, B, (D), F \tn 
% Row Count 3 (+ 3)
% Row 12
\SetRowColor{white}
\{\{ac\}\}Augmented Dominant Eleventh & \{\{ac\}\}C`aug`\textasciicircum{}11\textasciicircum{}, C\textasciicircum{}11(♯5)\textasciicircum{} & \{\{ac\}\}C, E, G♯, B♭, (D), F \tn 
% Row Count 6 (+ 3)
% Row 13
\SetRowColor{LightBackground}
\{\{ac\}\}Major Eleventh Flat 9 & \{\{ac\}\}CM\textasciicircum{}11(♭9)\textasciicircum{} & \{\{ac\}\}C, E, (G), B, D♭, F \tn 
% Row Count 9 (+ 3)
% Row 14
\SetRowColor{white}
\{\{ac\}\}Minor Eleventh Flat 9 & \{\{ac\}\}Cm\textasciicircum{}11(♭9)\textasciicircum{} & \{\{ac\}\}C, E♭, (G), B♭, D♭, F \tn 
% Row Count 12 (+ 3)
% Row 15
\SetRowColor{LightBackground}
\{\{ac\}\}Dominant Eleven Flat 9 & \{\{ac\}\}C\textasciicircum{}11(♭9)\textasciicircum{} & \{\{ac\}\}C, E, (G), B♭, D♭, F \tn 
% Row Count 15 (+ 3)
% Row 16
\SetRowColor{white}
\{\{ac\}\}Diminished Eleventh Flat 9 & \{\{ac\}\}C\textasciicircum{}o11(♭9)\textasciicircum{}, C`dim`\textasciicircum{}o11(♭9)\textasciicircum{} & \{\{ac\}\}C, E♭, G♭, (𝄫7) A, D♭, F \tn 
% Row Count 19 (+ 4)
% Row 17
\SetRowColor{LightBackground}
\{\{ac\}\}Dominant Seventh Flat 9 Sharp 11 & \{\{ac\}\}C\textasciicircum{}7(♭9♯11)\textasciicircum{} & \{\{ac\}\}C, E, (G), B ♭, D ♭, F ♯ \tn 
% Row Count 22 (+ 3)
% Row 18
\SetRowColor{white}
\{\{ac\}\}Dominant Seventh Sharp 9 Sharp 11 & \{\{ac\}\}C\textasciicircum{}7(♯9♯11)\textasciicircum{} & \{\{ac\}\}C, E, (G), B ♭, D ♯, F ♯ \tn 
% Row Count 25 (+ 3)
% Row 19
\SetRowColor{LightBackground}
\{\{ac\}\}Minor Major Ninth Sharp 11 & \{\{ac\}\}Cm\textasciicircum{}M9(♯11)\textasciicircum{} & \{\{ac\}\}C, E♭, (G), B, (D), F ♯ \tn 
% Row Count 28 (+ 3)
% Row 20
\SetRowColor{white}
\{\{ac\}\}Major Eleventh Flat 5 & \{\{ac\}\}CM\textasciicircum{}11(♭5)\textasciicircum{} & \{\{ac\}\}C, E, G♭, B, (D), F \tn 
% Row Count 31 (+ 3)
\hhline{>{\arrayrulecolor{DarkBackground}}---}
\SetRowColor{LightBackground}
\mymulticolumn{3}{x{17.67cm}}{Notes in parenthesis can be omitted.}  \tn 
\hhline{>{\arrayrulecolor{DarkBackground}}---}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{x{4.0488 cm} x{5.2297 cm} x{7.5915 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{3}{x{17.67cm}}{\bf\textcolor{white}{{\bf{Suspended Chords}}}}  \tn
% Row 0
\SetRowColor{LightBackground}
\{\{ac\}\}{\bf{Chord:}} & \{\{ac\}\}{\bf{Writing:}} & \{\{ac\}\}{\bf{Chord Structure (L-H)}} \tn 
% Row Count 2 (+ 2)
% Row 1
\SetRowColor{white}
\{\{ac\}\}Sus/Sus4 & \{\{ac\}\}C\textasciicircum{}sus\textasciicircum{}, C\textasciicircum{}sus4\textasciicircum{} & \{\{ac\}\}C, F, G \tn 
% Row Count 4 (+ 2)
% Row 2
\SetRowColor{LightBackground}
\{\{ac\}\}Sus2 & \{\{ac\}\}C\textasciicircum{}sus2\textasciicircum{} & \{\{ac\}\}C, D, G \tn 
% Row Count 6 (+ 2)
\hhline{>{\arrayrulecolor{DarkBackground}}---}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{X}
\SetRowColor{DarkBackground}
\mymulticolumn{1}{x{17.67cm}}{\bf\textcolor{white}{{\bf{Upper Chord Alterations, (\#,♭)}}}}  \tn
\SetRowColor{white}
\mymulticolumn{1}{x{17.67cm}}{These apply to the note that is either sharpened or flattened. {\bf{Note that alterations go AFTER the ENTIRE chord is built}}.% Row Count 3 (+ 3)
} \tn 
\hhline{>{\arrayrulecolor{DarkBackground}}-}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{x{4.0488 cm} x{4.8923 cm} x{7.9289 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{3}{x{17.67cm}}{\bf\textcolor{white}{Upper Chord Alterations}}  \tn
% Row 0
\SetRowColor{LightBackground}
\{\{ac\}\}{\bf{Chord:}} & \{\{ac\}\}{\bf{Writing:}} & \{\{ac\}\}{\bf{Chord Structure (L-H)}} \tn 
% Row Count 2 (+ 2)
% Row 1
\SetRowColor{white}
\{\{ac\}\}7(\#9) & \{\{ac\}\}C\textasciicircum{}7(\#9)\textasciicircum{} & \{\{ac\}\}C, E, G, B♭, D\# \tn 
% Row Count 4 (+ 2)
% Row 2
\SetRowColor{LightBackground}
\{\{ac\}\}11(♭13) & \{\{ac\}\}C\textasciicircum{}11(♭13)\textasciicircum{} & \{\{ac\}\}C, E, G, B♭, D, F, A♭ \tn 
% Row Count 6 (+ 2)
% Row 3
\SetRowColor{white}
\{\{ac\}\}9\#11♭13 & \{\{ac\}\}C\textasciicircum{}9(\#11♭13)\textasciicircum{} & \{\{ac\}\}C, E, G, B♭, D, F\#, A♭ \tn 
% Row Count 8 (+ 2)
\hhline{>{\arrayrulecolor{DarkBackground}}---}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{x{5.2297 cm} x{6.5793 cm} x{5.061 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{3}{x{17.67cm}}{\bf\textcolor{white}{Power/6th Chords:}}  \tn
% Row 0
\SetRowColor{LightBackground}
\{\{ac\}\}{\bf{Chord:}} & \{\{ac\}\}{\bf{Writing:}} & \{\{ac\}\}{\bf{Chord Structure (L-H):}} \tn 
% Row Count 3 (+ 3)
% Row 1
\SetRowColor{white}
\{\{ac\}\}Root and 5\textasciicircum{}th\textasciicircum{} & \{\{ac\}\}C\textasciicircum{}5\textasciicircum{} & \{\{ac\}\}C, G \tn 
% Row Count 5 (+ 2)
% Row 2
\SetRowColor{LightBackground}
\{\{ac\}\}6\textasciicircum{}ths\textasciicircum{}: & \{\{ac\}\}C\textasciicircum{}6\textasciicircum{}, CM\textasciicircum{}6\textasciicircum{}, CMaj\textasciicircum{}6\textasciicircum{} & \{\{ac\}\}C, E, G, A \tn 
% Row Count 7 (+ 2)
% Row 3
\SetRowColor{white}
\{\{ac\}\}Minor 6th: & \{\{ac\}\}Cmin6, Cm\textasciicircum{}M6\textasciicircum{} & \{\{ac\}\}C ,E♭, G, A \tn 
% Row Count 9 (+ 2)
% Row 4
\SetRowColor{LightBackground}
\{\{ac\}\}Minor chord plus Minor 6th: & \{\{ac\}\}Cm(-)\textasciicircum{}(♭6)\textasciicircum{}, Cm(-)\textasciicircum{}(add♭6)\textasciicircum{}, Cm(-)\textasciicircum{}(+♭6)\textasciicircum{} & \{\{ac\}\}C ,E♭, G, A♭ \tn 
% Row Count 13 (+ 4)
% Row 5
\SetRowColor{white}
\{\{ac\}\}C Major Sixth Flat 5 & \{\{ac\}\}CM\textasciicircum{}6(♭5)\textasciicircum{} & \{\{ac\}\}C, E, G♭, A \tn 
% Row Count 16 (+ 3)
% Row 6
\SetRowColor{LightBackground}
\{\{ac\}\}Add 6\textasciicircum{}th\textasciicircum{} and 9\textasciicircum{}th\textasciicircum{} & \{\{ac\}\}C\textasciicircum{}6\textasciicircum{}/`9`, C\textasciicircum{}(add(+)6/add(+)9)\textasciicircum{} & \{\{ac\}\}C, E, G, A, D \tn 
% Row Count 19 (+ 3)
% Row 7
\SetRowColor{white}
\{\{ac\}\}Minor \textasciicircum{}6\textasciicircum{}/`9` & \{\{ac\}\}C`mi`\textasciicircum{}6\textasciicircum{}/`9`, C-\textasciicircum{}6\textasciicircum{}/`9` & \{\{ac\}\}C, E♭, G, A, D \tn 
% Row Count 21 (+ 2)
\hhline{>{\arrayrulecolor{DarkBackground}}---}
\SetRowColor{LightBackground}
\mymulticolumn{3}{x{17.67cm}}{A note for 6\textasciicircum{}th\textasciicircum{} chords: When something is m6, the chord itself is minor, NOT the 6\textasciicircum{}th\textasciicircum{} interval. When we want a minor chord plus a minor 6\textasciicircum{}th\textasciicircum{}, we put the flat 6 in parenthesis.}  \tn 
\hhline{>{\arrayrulecolor{DarkBackground}}---}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{x{3.7114 cm} x{4.0488 cm} x{9.1098 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{3}{x{17.67cm}}{\bf\textcolor{white}{Altered Chords:}}  \tn
% Row 0
\SetRowColor{LightBackground}
\{\{ac\}\}{\bf{Chord:}} & \{\{ac\}\}{\bf{Writing:}} & \{\{ac\}\}{\bf{Chord Structure (L-H)}} \tn 
% Row Count 2 (+ 2)
% Row 1
\SetRowColor{white}
\{\{ac\}\}Altered & \{\{ac\}\}C`alt` & \{\{ac\}\}C, E, G♭/♯, B♭, OR, C, G, G♭/♯, B♭, D♭/♯ \tn 
% Row Count 5 (+ 3)
\hhline{>{\arrayrulecolor{DarkBackground}}---}
\SetRowColor{LightBackground}
\mymulticolumn{3}{x{17.67cm}}{An altered chord is a variety of chords that can be created with either a flat or sharpened 5th and 9th, built on a dominant 7\textasciicircum{}th\textasciicircum{} chord.}  \tn 
\hhline{>{\arrayrulecolor{DarkBackground}}---}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{x{2.9646 cm} x{2.7999 cm} x{5.1057 cm} x{5.5998 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{4}{x{17.67cm}}{\bf\textcolor{white}{Slash/Inverted Triad Chords:}}  \tn
% Row 0
\SetRowColor{LightBackground}
\{\{ac\}\}{\bf{Chord:}} & \{\{ac\}\}{\bf{Writing:}} & \{\{ac\}\}{\bf{Chord Structure (L-H):}} & \{\{ac\}\}{\bf{How to find the Key Root}} \tn 
% Row Count 3 (+ 3)
% Row 1
\SetRowColor{white}
\{\{ac\}\}3\textasciicircum{}rd\textasciicircum{} On top: & \{\{ac\}\}C/E, C\textasciicircum{}6\textasciicircum{} & \{\{ac\}\}E, G, C & \{\{ac\}\}5\textasciicircum{}th\textasciicircum{} above chord root. \tn 
% Row Count 6 (+ 3)
% Row 2
\SetRowColor{LightBackground}
\{\{ac\}\}5\textasciicircum{}th\textasciicircum{} On top: & \{\{ac\}\}C/G, C\textasciicircum{}6\textasciicircum{}`4` & \{\{ac\}\}G, C, E & \{\{ac\}\}4\textasciicircum{}th\textasciicircum{} above chord root. \tn 
% Row Count 9 (+ 3)
\hhline{>{\arrayrulecolor{DarkBackground}}----}
\SetRowColor{LightBackground}
\mymulticolumn{4}{x{17.67cm}}{{\bf{DO NOT write a fraction symbol.}}}  \tn 
\hhline{>{\arrayrulecolor{DarkBackground}}----}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{x{2.9646 cm} x{3.7881 cm} x{4.1175 cm} x{5.5998 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{4}{x{17.67cm}}{\bf\textcolor{white}{Slash/Inverted Seventh Chords:}}  \tn
% Row 0
\SetRowColor{LightBackground}
\{\{ac\}\}{\bf{Chord}} & \{\{ac\}\}{\bf{Writing:}} & \{\{ac\}\}{\bf{Chord Structure:}} & \{\{ac\}\}{\bf{How to find the key root:}} \tn 
% Row Count 3 (+ 3)
% Row 1
\SetRowColor{white}
\{\{ac\}\}3\textasciicircum{}rd\textasciicircum{} on top: & \{\{ac\}\}C\textasciicircum{}7\textasciicircum{}/E, C\textasciicircum{}6\textasciicircum{}`5` & \{\{ac\}\}E, G, B♭, C & \{\{ac\}\}6\textasciicircum{}th\textasciicircum{} above the chordal root. \tn 
% Row Count 6 (+ 3)
% Row 2
\SetRowColor{LightBackground}
\{\{ac\}\}5\textasciicircum{}th\textasciicircum{} on top: & \{\{ac\}\}C\textasciicircum{}7\textasciicircum{}/G, C\textasciicircum{}4\textasciicircum{}`3` & \{\{ac\}\}G, B♭, C, E & \{\{ac\}\}4\textasciicircum{}th\textasciicircum{} above the chordal root. \tn 
% Row Count 9 (+ 3)
% Row 3
\SetRowColor{white}
\{\{ac\}\}7\textasciicircum{}th\textasciicircum{} on top: & \{\{ac\}\}C\textasciicircum{}7\textasciicircum{}/B♭, C\textasciicircum{}4\textasciicircum{}`2` & \{\{ac\}\}B♭, C, E, G & \{\{ac\}\}2\textasciicircum{}nd\textasciicircum{} above the chordal root. \tn 
% Row Count 12 (+ 3)
\hhline{>{\arrayrulecolor{DarkBackground}}----}
\SetRowColor{LightBackground}
\mymulticolumn{4}{x{17.67cm}}{Note the inversion symbols are different. Note that unless specified, all inversions are based off of the Dominant 7\textasciicircum{}th\textasciicircum{} chord. So in C, that means the B will be flat. The key root is not the same as the chordal root.}  \tn 
\hhline{>{\arrayrulecolor{DarkBackground}}----}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{17.67cm}{x{8.2896 cm} x{8.9804 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{17.67cm}}{\bf\textcolor{white}{Neopolitan Chord:}}  \tn
% Row 0
\SetRowColor{LightBackground}
\{\{ac\}\}{\bf{Writing:}} & \{\{ac\}\}{\bf{Chord Structure (L-H):}} \tn 
% Row Count 2 (+ 2)
% Row 1
\SetRowColor{white}
\{\{ac\}\} N\textasciicircum{}6\textasciicircum{}, ♭II6, ♭II\textasciicircum{}6\textasciicircum{} & \{\{ac\}\} In C: F, A♭, D♭, \tn 
% Row Count 4 (+ 2)
\hhline{>{\arrayrulecolor{DarkBackground}}--}
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{17.67cm}}{The Neopolitan Chord is built upon the flattened 2nd degree of any scale. So in B♭, that would be C♭. In C, it would be D♭. It has a {\bf{Pre-Dominant}} harmonic function, and is voiced as follows: \newline  \newline In C, take the 2nd, (D), lower it a half step (D♭). Take the D♭, and make a major D♭ triad, (D♭, F, A♭). Use first inversion (Known as N\textasciicircum{}6\textasciicircum{}) and you're done!}  \tn 
\hhline{>{\arrayrulecolor{DarkBackground}}--}
\end{tabularx}
\par\addvspace{1.3em}



\end{document}