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\author{Suzie C Dixon (suzie22dixon)}
\pdfinfo{
  /Title (tv-in-global-age-a-level-media.pdf)
  /Creator (Cheatography)
  /Author (Suzie C Dixon (suzie22dixon))
  /Subject (TV IN GLOBAL AGE a level media Cheat Sheet)
}

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        \hspace*{-6pt}\includegraphics[width=5.8cm]{/web/www.cheatography.com/public/images/cheatography_logo.pdf}}
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    \vspace{-2pt}\large{\bf{\textcolor{DarkBackground}{\textrm{TV IN GLOBAL AGE a level media Cheat Sheet}}}} \\
    \normalsize{by \textcolor{DarkBackground}{Suzie C Dixon (suzie22dixon)} via \textcolor{DarkBackground}{\uline{cheatography.com/212965/cs/46406/}}}
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  \mymulticolumn{2}{p{5.377cm}}{\bf\textcolor{white}{Cheatographer}}  \\
  \vspace{-2pt}Suzie C Dixon (suzie22dixon) \\
  \uline{cheatography.com/suzie22dixon} \\
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  \mymulticolumn{1}{p{5.377cm}}{\bf\textcolor{white}{Cheat Sheet}}  \\
   \vspace{-2pt}Not Yet Published.\\
   Updated 20th May, 2025.\\
   Page {\thepage} of \pageref{LastPage}.
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  Measure your website readability!\\
  www.readability-score.com
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{NORDIC/SCANDI NOIR}}  \tn
% Row 0
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\mymulticolumn{2}{x{5.377cm}}{Sub-genre of crime drama} \tn 
% Row Count 1 (+ 1)
% Row 1
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Originates in literature, but extended to film and especially TV} \tn 
% Row Count 3 (+ 2)
% Row 2
\SetRowColor{LightBackground}
From and set in Nordic or Scandinavian countries & Norway, Sweden, Denmark, Finland, Iceland etc. \tn 
% Row Count 6 (+ 3)
% Row 3
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Influenced by film noir} \tn 
% Row Count 7 (+ 1)
% Row 4
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Film noir often deals with… & Violence or murder \tn 
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\SetRowColor{white}
 & A sense of dread \tn 
% Row Count 10 (+ 1)
% Row 6
\SetRowColor{LightBackground}
 & Moral complexity or ambiguity \tn 
% Row Count 12 (+ 2)
% Row 7
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Revolves around crime – usually murder or theft} \tn 
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% Row 8
\SetRowColor{LightBackground}
{\bf{Narrative structure:}} & Story told through voiceover narration \tn 
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% Row 9
\SetRowColor{white}
 & Often structured around a flashback \tn 
% Row Count 17 (+ 2)
% Row 10
\SetRowColor{LightBackground}
 & Plots can be very complex \tn 
% Row Count 19 (+ 2)
% Row 11
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{{\bf{Characters:}}} \tn 
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{\bf{Male protagonist}} & Often a detective \tn 
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% Row 13
\SetRowColor{white}
 & Tough and cynical \tn 
% Row Count 22 (+ 1)
% Row 14
\SetRowColor{LightBackground}
 & Dry wit / sarcasm \tn 
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% Row 15
\SetRowColor{white}
 & Heavy drinking and smoking \tn 
% Row Count 25 (+ 2)
% Row 16
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\mymulticolumn{2}{x{5.377cm}}{In some way weak or not in control} \tn 
% Row Count 26 (+ 1)
% Row 17
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\mymulticolumn{2}{x{5.377cm}}{Victim of circumstances beyond his control} \tn 
% Row Count 27 (+ 1)
% Row 18
\SetRowColor{LightBackground}
{\bf{Visual Style:}} & Film noir uses low-key lighting \tn 
% Row Count 29 (+ 2)
% Row 19
\SetRowColor{white}
 & This creates striking shadows \tn 
% Row Count 31 (+ 2)
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{NORDIC/SCANDI NOIR (cont)}}  \tn
% Row 20
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 & ({\bf{Chiaroscuro}}) There is a high level of contrast between light and shadow \tn 
% Row Count 4 (+ 4)
% Row 21
\SetRowColor{white}
{\bf{Iconography:}} & Venetian blinds \tn 
% Row Count 5 (+ 1)
% Row 22
\SetRowColor{LightBackground}
 & Set in cities, often at night and in the rain \tn 
% Row Count 8 (+ 3)
% Row 23
\SetRowColor{white}
 & Trench coats and hats \tn 
% Row Count 10 (+ 2)
\hhline{>{\arrayrulecolor{DarkBackground}}--}
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{THE BRIDGE INTRO}}  \tn
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\mymulticolumn{2}{x{5.377cm}}{named after the Øresund Bridge} \tn 
% Row Count 1 (+ 1)
% Row 1
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\mymulticolumn{2}{x{5.377cm}}{Connects Copenhagen (Denmark) and Malmo (Sweden) by road and rail} \tn 
% Row Count 3 (+ 2)
% Row 2
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\mymulticolumn{2}{x{5.377cm}}{Main character Saga is Swedish and a homicide detective in Malmo} \tn 
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% Row 3
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\mymulticolumn{2}{x{5.377cm}}{She works with Danish police in Copenhagen} \tn 
% Row Count 6 (+ 1)
% Row 4
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\mymulticolumn{2}{x{5.377cm}}{Cultural differences between the two countries are a running theme in the show} \tn 
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{THE BRIDGE - NARRATIVE}}  \tn
% Row 0
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{\bf{Important narrative arcs of set episode}}** & Helle Anker's murder \tn 
% Row Count 3 (+ 3)
% Row 1
\SetRowColor{white}
 & Mysterious introduction to Henrik Sabroe, leading up to the revelation that he will be Saga's new partner \tn 
% Row Count 9 (+ 6)
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 & Lise – first her child being bullied, then the revelation that she is an anti-trans vlogger \tn 
% Row Count 14 (+ 5)
% Row 3
\SetRowColor{white}
 & Rikkard – cleaner at Lise's flat; steals her necklace, keeps scary pets! \tn 
% Row Count 18 (+ 4)
% Row 4
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 & Aleks – released from prison, paranoid. Goes looking for buried money \tn 
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 & Saga's family problems \tn 
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% Row 6
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\mymulticolumn{2}{x{5.377cm}}{} \tn 
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{\bf{Binary opposites examples in TB}} & Sweeden v Denmark \tn 
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% Row 8
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 & Past v Present \tn 
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% Row 9
\SetRowColor{white}
 & Light v Dark \tn 
% Row Count 28 (+ 1)
% Row 10
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\mymulticolumn{2}{x{5.377cm}}{} \tn 
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% Row 11
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\mymulticolumn{2}{x{5.377cm}}{{\bf{INTRODUCTION TO HENRIK}}} \tn 
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% Row 12
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\mymulticolumn{2}{x{5.377cm}}{In later episodes it is revealed that Henrik's wife and children went missing years earlier} \tn 
% Row Count 31 (+ 2)
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{THE BRIDGE - NARRATIVE (cont)}}  \tn
% Row 13
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\mymulticolumn{2}{x{5.377cm}}{{\emph{The family we see on screen are in Henrik's imagination}}*} \tn 
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% Row 14
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{\bf{SHOT 1}} & Long shot \tn 
% Row Count 3 (+ 1)
% Row 15
\SetRowColor{LightBackground}
 & Lots of empty space \tn 
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% Row 16
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 & Suggests loneliness, lack of company \tn 
% Row Count 6 (+ 2)
% Row 17
\SetRowColor{LightBackground}
 & An empty house \tn 
% Row Count 7 (+ 1)
% Row 18
\SetRowColor{white}
 & Asymmetrical – there seems to be the perfect space for another person there \tn 
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% Row 19
\SetRowColor{LightBackground}
{\bf{SHOTS BUNCH 2}} & the camera's view doesn't match the wife's eyeline \tn 
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% Row 20
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 & Audiences might not consciously notice \tn 
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% Row 21
\SetRowColor{LightBackground}
 & But there is a sense that something is not quite right in this exchange \tn 
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% Row 22
\SetRowColor{white}
{\bf{SHOT 3}} & His children barely acknowledge him – they look at each other \tn 
% Row Count 24 (+ 4)
% Row 23
\SetRowColor{LightBackground}
 & He doesn't really talk to them - almost to himself \tn 
% Row Count 27 (+ 3)
% Row 24
\SetRowColor{white}
 & Blocking – a large worktop separates Henrik and the children \tn 
% Row Count 31 (+ 4)
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{THE BRIDGE - NARRATIVE (cont)}}  \tn
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 & This literally puts distance between them \tn 
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\SetRowColor{white}
{\bf{BED SCENE WITH HENRIK AND WIFE}} & Tight, close shot \tn 
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\SetRowColor{LightBackground}
 & Intimate setting (couple in bed together) \tn 
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\SetRowColor{white}
 & The dialogue seems at odds with the scenario {\emph{ {\bf{Why would he tell his wife about another woman whilst they lie in bed together?}} }} \tn 
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% Row 29
\SetRowColor{LightBackground}
 & When Henrik wakes up, his wife is gone \tn 
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% Row 30
\SetRowColor{white}
 & Her side of the bed is perfectly made - as if she was never there \tn 
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% Row 31
\SetRowColor{LightBackground}
{\emph{Emil, the art gallery assistant}} & Killer of Henrik's family \tn 
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% Row 32
\SetRowColor{white}
 & There is perhaps a pleasure for the audience in waiting for reveals like this \tn 
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% Row 33
\SetRowColor{LightBackground}
 & The narrative ultimately rewards your patience \tn 
% Row Count 30 (+ 3)
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{THE BRIDGE - NARRATIVE (cont)}}  \tn
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\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 0 (+ 0)
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\mymulticolumn{2}{x{5.377cm}}{{\bf{Flexi Narrative}}} \tn 
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\mymulticolumn{2}{x{5.377cm}}{Complex, challenging narrative} \tn 
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\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Multiple characters} \tn 
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% Row 38
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Level of importance and connection to the narrative is unclear to the audience} \tn 
% Row Count 5 (+ 2)
% Row 39
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Multiple plot situations involving complicated scenarios.} \tn 
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\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Plot twists} \tn 
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\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Narrative enigmas throughout} \tn 
% Row Count 9 (+ 1)
% Row 42
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Unresolved narratives.} \tn 
% Row Count 10 (+ 1)
\hhline{>{\arrayrulecolor{DarkBackground}}--}
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\mymulticolumn{1}{x{5.377cm}}{\bf\textcolor{white}{SHOT 1}}  \tn
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\mymulticolumn{1}{p{5.377cm}}{\vspace{1px}\centerline{\includegraphics[width=5.1cm]{/web/www.cheatography.com/public/uploads/suzie22dixon_1747732878_Screenshot 2025-05-20 9.51.54 AM.png}}} \tn 
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{TODOROV NARRATIVE ARC}}  \tn
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\mymulticolumn{2}{x{5.377cm}}{1. Equilibrium} \tn 
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% Row 1
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\mymulticolumn{2}{x{5.377cm}}{2. Disruption of Equilibrium} \tn 
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% Row 2
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\mymulticolumn{2}{x{5.377cm}}{3. Recognition of the distruption} \tn 
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\mymulticolumn{2}{x{5.377cm}}{4. An attempt to repair the damage} \tn 
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\mymulticolumn{2}{x{5.377cm}}{5.New Equilibrium} \tn 
% Row Count 5 (+ 1)
% Row 5
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\mymulticolumn{2}{x{5.377cm}}{{\emph{repeat}}} \tn 
% Row Count 6 (+ 1)
\hhline{>{\arrayrulecolor{DarkBackground}}--}
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{THE BRIDGE AUDIENCE}}  \tn
% Row 0
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{\bf{David Gauntlett}} & the idea that the media provide us with 'tools' or resources that we use to construct our identities \tn 
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\mymulticolumn{2}{x{5.377cm}}{{\bf{Henry Jenkins}}} \tn 
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\mymulticolumn{2}{x{5.377cm}}{convergence in media industries} \tn 
% Row Count 8 (+ 1)
% Row 3
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\mymulticolumn{2}{x{5.377cm}}{{\emph{ {\bf{ he also talks about fandom }} }}} \tn 
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% Row 4
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\mymulticolumn{2}{x{5.377cm}}{- fans are active participants in the construction and circulation of textual meanings} \tn 
% Row Count 11 (+ 2)
% Row 5
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{- fans construct their social and cultural identities through borrowing and inflecting mass culture images} \tn 
% Row Count 14 (+ 3)
% Row 6
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{- fans are part of a participatory culture that has a vital social dimension} \tn 
% Row Count 16 (+ 2)
% Row 7
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 16 (+ 0)
% Row 8
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{{\bf{who is the audience of The Bridge?}}} \tn 
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% Row 9
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{- fans of nordic noir} \tn 
% Row Count 18 (+ 1)
% Row 10
\SetRowColor{LightBackground}
- intellecutals & - willing to invest in complex narrative \tn 
% Row Count 20 (+ 2)
% Row 11
\SetRowColor{white}
 & - willing to watch subtitled TV shows \tn 
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% Row 12
\SetRowColor{LightBackground}
 & - perhaps seeking fulfilment \tn 
% Row Count 24 (+ 2)
% Row 13
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{- culturally aware and curious} \tn 
% Row Count 25 (+ 1)
% Row 14
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{- seeking or maintaining status} \tn 
% Row Count 26 (+ 1)
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\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 26 (+ 0)
% Row 16
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{{\bf{Set episode of The Bridge had just over 1.8m viewers when broadcast on BBC4}}} \tn 
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\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{- considered high for a foreign-language drama} \tn 
% Row Count 29 (+ 1)
% Row 18
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{{\emph{In Scandinavia the show has a larger audiences share}}} \tn 
% Row Count 31 (+ 2)
\end{tabularx}
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\begin{tabularx}{5.377cm}{x{2.4885 cm} x{2.4885 cm} }
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{THE BRIDGE AUDIENCE (cont)}}  \tn
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\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 0 (+ 0)
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\mymulticolumn{2}{x{5.377cm}}{{\bf{Genre and audience}}} \tn 
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% Row 21
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\mymulticolumn{2}{x{5.377cm}}{- The idea of Nordic noir as a distinct genre only works in an international context} \tn 
% Row Count 3 (+ 2)
% Row 22
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{- The idea of Nordicness is a{\bf{ British construct }}} \tn 
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% Row 23
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{These shows would be seen as products of their own distinct nations} \tn 
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% Row 24
\SetRowColor{white}
British crime drama is similarly attractive to Scandinavians! & {\bf{WHY?}} \tn 
% Row Count 11 (+ 4)
% Row 25
\SetRowColor{LightBackground}
 & Seemingly everyone is very middle-class \tn 
% Row Count 13 (+ 2)
% Row 26
\SetRowColor{white}
 & British eccentricity \tn 
% Row Count 14 (+ 1)
% Row 27
\SetRowColor{LightBackground}
 & Traditional settings – British countryside, village pub etc \tn 
% Row Count 18 (+ 4)
% Row 28
\SetRowColor{white}
 & Quaint \tn 
% Row Count 19 (+ 1)
% Row 29
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Roland Barthes might call the above 'myths' of Britishness} \tn 
% Row Count 21 (+ 2)
% Row 30
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Connotations of Britain that are repeated so often that they act like denotations} \tn 
% Row Count 23 (+ 2)
% Row 31
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Incomplete / oversimplified images of the complexities of British life} \tn 
% Row Count 25 (+ 2)
% Row 32
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 25 (+ 0)
% Row 33
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{{\bf{Perceptions of 'Nordic-ness'}}} \tn 
% Row Count 26 (+ 1)
% Row 34
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{- cold but beautiful} \tn 
% Row Count 27 (+ 1)
% Row 35
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{- stylish} \tn 
% Row Count 28 (+ 1)
% Row 36
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{- affordable} \tn 
% Row Count 29 (+ 1)
% Row 37
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{- food} \tn 
% Row Count 30 (+ 1)
\end{tabularx}
\par\addvspace{1.3em}

\vfill
\columnbreak
\begin{tabularx}{5.377cm}{x{2.4885 cm} x{2.4885 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{THE BRIDGE AUDIENCE (cont)}}  \tn
% Row 38
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{- hygge} \tn 
% Row Count 1 (+ 1)
% Row 39
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{- socially and politically progressive} \tn 
% Row Count 2 (+ 1)
% Row 40
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 2 (+ 0)
% Row 41
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{{\bf{POSTMODERNISM - Baudrillard}}} \tn 
% Row Count 3 (+ 1)
% Row 42
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{media create hyper realities based on a continuous process of mediation} \tn 
% Row Count 5 (+ 2)
% Row 43
\SetRowColor{white}
what is encoded as 'real' (and what we decode through media products) is not 'real' but instead a 'simulacrum' which offers us a hyperreality & that we accept as real because we are so consistently exposed to it. \tn 
% Row Count 13 (+ 8)
% Row 44
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{media images have come to seem more "real" than the reality they supposedly represent.} \tn 
% Row Count 15 (+ 2)
% Row 45
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 15 (+ 0)
% Row 46
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{{\bf{Is The Bridge postmodern?}}} \tn 
% Row Count 16 (+ 1)
% Row 47
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Relies on audience understanding of crime drama, specifically Nordic noir, to decode it} \tn 
% Row Count 18 (+ 2)
% Row 48
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{The diegetic "world" of "The Bridge" is a hyper-reality – it is Sweden/Denmark re-presented from a mediated perspective, linked to stereotypical national traits and cultural values . Consider how this is constructed} \tn 
% Row Count 23 (+ 5)
% Row 49
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Based on our cultural perception of an institution (the police force) that is itself a constructed 'simulacrum' rather than experienced first hand} \tn 
% Row Count 26 (+ 3)
% Row 50
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Shares similarities of style with other "Nordic noir"} \tn 
% Row Count 28 (+ 2)
% Row 51
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{There are other intertextual references} \tn 
% Row Count 29 (+ 1)
% Row 52
\SetRowColor{LightBackground}
 & The image of Scandinavia we get from Nordic noir is a simulacra \tn 
% Row Count 33 (+ 4)
\end{tabularx}
\par\addvspace{1.3em}

\vfill
\columnbreak
\begin{tabularx}{5.377cm}{x{2.4885 cm} x{2.4885 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{THE BRIDGE AUDIENCE (cont)}}  \tn
% Row 53
\SetRowColor{LightBackground}
 & Simulated images which no longer refer to anything real \tn 
% Row Count 3 (+ 3)
% Row 54
\SetRowColor{white}
 & Attractive to middle class British viewers \tn 
% Row Count 6 (+ 3)
% Row 55
\SetRowColor{LightBackground}
 & But offers no "real insights into the complex and changing Danish or Nordic social realities" (Jakob Stougaard-Nielsen) \tn 
% Row Count 13 (+ 7)
\hhline{>{\arrayrulecolor{DarkBackground}}--}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{5.377cm}{x{1.84149 cm} x{3.13551 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{THE BRIDGE - REPRESENTATION}}  \tn
% Row 0
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{{\bf{Does Saga follow typical Feminine representations?}}} \tn 
% Row Count 2 (+ 2)
% Row 1
\SetRowColor{white}
1. Domestic & NO \tn 
% Row Count 3 (+ 1)
% Row 2
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{- Saga seems to live at work} \tn 
% Row Count 4 (+ 1)
% Row 3
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{- eats at work} \tn 
% Row Count 5 (+ 1)
% Row 4
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{- changes at work} \tn 
% Row Count 6 (+ 1)
% Row 5
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{- stays when others go back to their family} \tn 
% Row Count 7 (+ 1)
% Row 6
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 7 (+ 0)
% Row 7
\SetRowColor{white}
2. Sexualised & NO \tn 
% Row Count 8 (+ 1)
% Row 8
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Saga's clothes connote toughness} \tn 
% Row Count 9 (+ 1)
% Row 9
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Military-style trenchcoat – might remind us of the film noir detective archetype} \tn 
% Row Count 11 (+ 2)
% Row 10
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Big leather boots} \tn 
% Row Count 12 (+ 1)
% Row 11
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Neutral colours – kakhi, grey} \tn 
% Row Count 13 (+ 1)
% Row 12
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{She wears no make up} \tn 
% Row Count 14 (+ 1)
% Row 13
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Scar on her face – stereotypically masculine, connotations of violence} \tn 
% Row Count 16 (+ 2)
% Row 14
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Matter-of-fact attitude to her body} \tn 
% Row Count 17 (+ 1)
% Row 15
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 17 (+ 0)
% Row 16
\SetRowColor{LightBackground}
3. Nurturer & NO \tn 
% Row Count 18 (+ 1)
% Row 17
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Saga's lack of emotional awareness prevents her from being nurturing} \tn 
% Row Count 20 (+ 2)
% Row 18
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 20 (+ 0)
% Row 19
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{{\bf{... so how is Saga represented?}}} \tn 
% Row Count 21 (+ 1)
% Row 20
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Saga has dominant narrative positioning} \tn 
% Row Count 22 (+ 1)
% Row 21
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Episode opens on her driving over the bridge} \tn 
% Row Count 23 (+ 1)
% Row 22
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{We frequently follow her – tracking shots, close-ups} \tn 
% Row Count 25 (+ 2)
% Row 23
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{BUT we do see things that she doesn't} \tn 
% Row Count 26 (+ 1)
% Row 24
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Saga is very direct} \tn 
% Row Count 27 (+ 1)
% Row 25
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Clipped, abrupt style of speech} \tn 
% Row Count 28 (+ 1)
% Row 26
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Wastes no words!} \tn 
% Row Count 29 (+ 1)
% Row 27
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Acts and thinks quickly} \tn 
% Row Count 30 (+ 1)
\end{tabularx}
\par\addvspace{1.3em}

\vfill
\columnbreak
\begin{tabularx}{5.377cm}{x{1.84149 cm} x{3.13551 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{THE BRIDGE - REPRESENTATION (cont)}}  \tn
% Row 28
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Saga's unemotional approach makes her clear-thinking and intuitive} \tn 
% Row Count 2 (+ 2)
% Row 29
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Her rationality makes her good at her job} \tn 
% Row Count 3 (+ 1)
% Row 30
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Even if others find her hard to work with} \tn 
% Row Count 4 (+ 1)
% Row 31
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Saga is a very quirky, rounded, flawed character} \tn 
% Row Count 5 (+ 1)
% Row 32
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Defies easy stereotypes} \tn 
% Row Count 6 (+ 1)
% Row 33
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 6 (+ 0)
% Row 34
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{{\bf{Van Zoonen defies 3 types of feminism}}} \tn 
% Row Count 7 (+ 1)
% Row 35
\SetRowColor{white}
{\emph{*1. Liberal feminist8}} & This position is closest to Van Zoonen's own perspective \tn 
% Row Count 10 (+ 3)
% Row 36
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Reductive stereotypes about the "supposedly natural" role of women account for women's position in society} \tn 
% Row Count 13 (+ 3)
% Row 37
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Media "teach" people about gender roles} \tn 
% Row Count 14 (+ 1)
% Row 38
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Media representations of women reflect patriarchal values} \tn 
% Row Count 16 (+ 2)
% Row 39
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Women should seek equality and be more powerful in society} \tn 
% Row Count 18 (+ 2)
% Row 40
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Media can contribute to this change by challenging established gender roles} \tn 
% Row Count 20 (+ 2)
% Row 41
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 20 (+ 0)
% Row 42
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{{\bf{2. Radical feminist}}} \tn 
% Row Count 21 (+ 1)
% Row 43
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{All men oppress all women} \tn 
% Row Count 22 (+ 1)
% Row 44
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Mass media is dominated by men, so can only benefit patriarchal society} \tn 
% Row Count 24 (+ 2)
% Row 45
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Media encourages men to oppress women} \tn 
% Row Count 25 (+ 1)
% Row 46
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{And encourages women to accept their oppression} \tn 
% Row Count 26 (+ 1)
% Row 47
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Radical feminism rejects established media} \tn 
% Row Count 27 (+ 1)
% Row 48
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Women should communicate through their own, non-hierarchical means} \tn 
% Row Count 29 (+ 2)
% Row 49
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 29 (+ 0)
% Row 50
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{{\bf{3. Socialist feminist}}} \tn 
% Row Count 30 (+ 1)
\end{tabularx}
\par\addvspace{1.3em}

\vfill
\columnbreak
\begin{tabularx}{5.377cm}{x{1.84149 cm} x{3.13551 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{THE BRIDGE - REPRESENTATION (cont)}}  \tn
% Row 51
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{How class and capitalism shape women's position in society} \tn 
% Row Count 2 (+ 2)
% Row 52
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Capitalism relies on women's unpaid work in the home and with the family} \tn 
% Row Count 4 (+ 2)
% Row 53
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Women should take up paid work, but the workplace should adapt to accommodate women's needs} \tn 
% Row Count 6 (+ 2)
% Row 54
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Media as ideological instruments – interested in how feminism is constructed in media} \tn 
% Row Count 8 (+ 2)
% Row 55
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Women should produce separate, feminist media} \tn 
% Row Count 9 (+ 1)
% Row 56
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{But established media should be flexible to women's needs} \tn 
% Row Count 11 (+ 2)
\hhline{>{\arrayrulecolor{DarkBackground}}--}
\end{tabularx}
\par\addvspace{1.3em}

\begin{tabularx}{5.377cm}{x{0.89586 cm} x{4.08114 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{Applying feminism to the Bridge}}  \tn
% Row 0
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{{\bf{Liberal feminist}}} \tn 
% Row Count 1 (+ 1)
% Row 1
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Saga defies stereotypical representation} \tn 
% Row Count 2 (+ 1)
% Row 2
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{She is a woman in a position of authority} \tn 
% Row Count 3 (+ 1)
% Row 3
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{The Bridge reflects progress in women's position in society} \tn 
% Row Count 5 (+ 2)
% Row 4
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{And promotes further change by challenging established gender roles} \tn 
% Row Count 7 (+ 2)
% Row 5
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 7 (+ 0)
% Row 6
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{{\bf{Radical feminist}}} \tn 
% Row Count 8 (+ 1)
% Row 7
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{might reject The Bridge as a product of patriarchal mainstream media} \tn 
% Row Count 10 (+ 2)
% Row 8
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{However the Helle Anker storyline is relevant:} \tn 
% Row Count 11 (+ 1)
% Row 9
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{- Anker's non-traditional family has no patriarchal figure} \tn 
% Row Count 13 (+ 2)
% Row 10
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{- But is portrayed as loving, supportive and healthy – Saga's "nuclear" family is a mess} \tn 
% Row Count 15 (+ 2)
% Row 11
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{- Anker's death could be seen as a violent reaction of patriarchal society against those who live alternative lives} \tn 
% Row Count 18 (+ 3)
% Row 12
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 18 (+ 0)
% Row 13
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{{\bf{Socialist feminist}}} \tn 
% Row Count 19 (+ 1)
% Row 14
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{- the text challenges established gender stereotypes} \tn 
% Row Count 21 (+ 2)
% Row 15
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{- Media often uses women's bodies to appeal to audiences} \tn 
% Row Count 23 (+ 2)
% Row 16
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{- The Bridge it is not 'sold' on the sexualisation of women – Saga is not objectified} \tn 
% Row Count 25 (+ 2)
% Row 17
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 25 (+ 0)
% Row 18
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{{\bf{REPRESENTATION OF MEN}}} \tn 
% Row Count 26 (+ 1)
% Row 19
\SetRowColor{white}
1. HANS & Gentle, patient – a father figure to Saga \tn 
% Row Count 28 (+ 2)
% Row 20
\SetRowColor{LightBackground}
 & In a loving relationship with Lillian, who is also a chief of police \tn 
% Row Count 31 (+ 3)
\end{tabularx}
\par\addvspace{1.3em}

\vfill
\columnbreak
\begin{tabularx}{5.377cm}{x{0.89586 cm} x{4.08114 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{Applying feminism to the Bridge (cont)}}  \tn
% Row 21
\SetRowColor{LightBackground}
 & Meaning they are both associated with the world of work – neither of them associated with domesticity \tn 
% Row Count 4 (+ 4)
% Row 22
\SetRowColor{white}
2. HENRIK & Henrik is set up as a potential villain \tn 
% Row Count 6 (+ 2)
% Row 23
\SetRowColor{LightBackground}
 & Once you have seen the whole series, your perception of what we see in this episode changes \tn 
% Row Count 9 (+ 3)
% Row 24
\SetRowColor{white}
 & He is a sensitive, emotionally vulnerable character \tn 
% Row Count 11 (+ 2)
% Row 25
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 11 (+ 0)
% Row 26
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{{\bf{Van Zoonen also says...}}} \tn 
% Row Count 12 (+ 1)
% Row 27
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{The meaning of gender varies according to cultural and historical context} \tn 
% Row Count 14 (+ 2)
% Row 28
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{The creation of Saga's character reflects the interest in society in the changing ideas and viewpoints regarding gender} \tn 
% Row Count 17 (+ 3)
% Row 29
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{} \tn 
% Row Count 17 (+ 0)
% Row 30
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{{\bf{Judith Butler Theory}}} \tn 
% Row Count 18 (+ 1)
% Row 31
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{We are assigned our gender and that we conform to societal expectations of what it is to be a man or a women.} \tn 
% Row Count 21 (+ 3)
% Row 32
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{We act out or perform our gender like actors.} \tn 
% Row Count 22 (+ 1)
% Row 33
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Performativity is the idea that gender is the performance} \tn 
% Row Count 24 (+ 2)
% Row 34
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Gender is a series of performed rituals – beyond the performance, there are no 'natural' characteristics attached to gender} \tn 
% Row Count 27 (+ 3)
% Row 35
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{{\emph{ {\bf{ Applying this to the Bridge...}} }}} \tn 
% Row Count 28 (+ 1)
% Row 36
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{This way of thinking about gender is highlighted within the narrative} \tn 
% Row Count 30 (+ 2)
\end{tabularx}
\par\addvspace{1.3em}

\vfill
\columnbreak
\begin{tabularx}{5.377cm}{x{0.89586 cm} x{4.08114 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{Applying feminism to the Bridge (cont)}}  \tn
% Row 37
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Helle Anker's activism and gender neutral preschool} \tn 
% Row Count 2 (+ 2)
% Row 38
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{Lise's criticism of Anker's views in her video} \tn 
% Row Count 3 (+ 1)
% Row 39
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{The episode presents this as a debate} \tn 
% Row Count 4 (+ 1)
% Row 40
\SetRowColor{white}
\mymulticolumn{2}{x{5.377cm}}{The episode presents this as a debates} \tn 
% Row Count 5 (+ 1)
% Row 41
\SetRowColor{LightBackground}
\mymulticolumn{2}{x{5.377cm}}{Notably Anker and her wife are sympathetic; Lise not so much} \tn 
% Row Count 7 (+ 2)
% Row 42
\SetRowColor{white}
 & The fact that Saga is associated with traditionally masculine traits can relate to Butler \tn 
% Row Count 10 (+ 3)
% Row 43
\SetRowColor{LightBackground}
 & We could interpret this as an affirmation that gender is performed, not natural \tn 
% Row Count 13 (+ 3)
\hhline{>{\arrayrulecolor{DarkBackground}}--}
\end{tabularx}
\par\addvspace{1.3em}


% That's all folks
\end{multicols*}

\end{document}