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\author{RainyMoons (RainyMoons)}
\pdfinfo{
  /Title (the-hollywood-blacklist.pdf)
  /Creator (Cheatography)
  /Author (RainyMoons (RainyMoons))
  /Subject (The Hollywood Blacklist Cheat Sheet)
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    \vspace{-2pt}\large{\bf{\textcolor{DarkBackground}{\textrm{The Hollywood Blacklist Cheat Sheet}}}} \\
    \normalsize{by \textcolor{DarkBackground}{RainyMoons (RainyMoons)} via \textcolor{DarkBackground}{\uline{cheatography.com/153402/cs/44124/}}}
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  \vspace{-2pt}RainyMoons (RainyMoons) \\
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  \mymulticolumn{1}{p{5.377cm}}{\bf\textcolor{white}{Cheat Sheet}}  \\
   \vspace{-2pt}Not Yet Published.\\
   Updated 17th August, 2024.\\
   Page {\thepage} of \pageref{LastPage}.
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  Measure your website readability!\\
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{Intro}}  \tn
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{\bf{Definition of the Hollywood Blacklist}} & The Hollywood blacklist was a list of actors, writers, directors, musicians, and other entertainment professionals who were denied employment in the film industry due to their alleged communist ties or sympathies during the late 1940s and 1950s \tn 
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 & It was a product of the broader Red Scare and McCarthyism, a period marked by intense anti-communist sentiment in the United States \tn 
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{\bf{Historical Context}} & The blacklist emerged during the early stages of the Cold War, a time when fears of communist infiltration and influence in American institutions were pervasive \tn 
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 & The U.S. government, particularly through the actions of the House Un-American Activities Committee (HUAC), sought to expose and eliminate communist influence in various sectors, including Hollywood \tn 
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The Origins of the Blacklist}}  \tn
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{\bf{The Red Scare and HUAC}} & HUAC, originally established in 1938, intensified its focus on communism after World War II, driven by fears of Soviet espionage and subversion \tn 
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 & HUAC, originally established in 1938, intensified its focus on communism after World War II, driven by fears of Soviet espionage and subversion \tn 
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{\bf{The Hollywood Ten}} & In October 1947, HUAC subpoenaed several Hollywood figures to testify about their alleged communist affiliations \tn 
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 & Ten of these individuals, known as the Hollywood Ten, refused to answer HUAC's questions, citing their First Amendment rights. This defiance led to their conviction for contempt of Congress and subsequent imprisonment \tn 
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{\bf{The Waldorf Statement}} & In response to the Hollywood Ten's actions, the heads of major Hollywood studios issued the Waldorf Statement in November 1947, which effectively announced the blacklist \tn 
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 & The statement declared that the Hollywood Ten would be fired and not rehired until they declared they were not communists. This marked the official beginning of the blacklist \tn 
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The Implementation of the Blacklist}}  \tn
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{\bf{Scope and Impact}} & The blacklist quickly expanded beyond the Hollywood Ten to include hundreds of other entertainment professionals, many of whom were suspected of having communist ties or sympathies, often based on little or no evidence \tn 
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 & Those blacklisted found it nearly impossible to find work in Hollywood, as studios and producers feared the political and financial repercussions of hiring them \tn 
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{\bf{Informants and Friendly Witnesses}} & Some individuals in Hollywood cooperated with HUAC, naming colleagues they believed to be communists. These "friendly witnesses" often provided lists of names, sometimes under duress, contributing to the expansion of the blacklist \tn 
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 & High-profile friendly witnesses included actors like Ronald Reagan and Gary Cooper, and directors like Elia Kazan, who later faced significant backlash for his cooperation \tn 
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{\bf{Life Under the Blacklist}} & Blacklisted individuals often had to work under pseudonyms, move abroad, or leave the industry altogether \tn 
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 & For those who remained in Hollywood, the blacklist created a climate of fear, self-censorship, and suspicion, with many avoiding politically sensitive or controversial topics in their work \tn 
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{Notable Figures Affected by the Blacklist}}  \tn
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{\bf{Dalton Trumbo}} & A prominent screenwriter and member of the Hollywood Ten, Trumbo continued to write under pseudonyms during his blacklisting, even winning Academy Awards for "Roman Holiday" (1953) and "The Brave One" (1956) under different names \tn 
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 & Trumbo's story is often cited as emblematic of the injustices of the blacklist, and his public acknowledgment for "Spartacus" (1960) helped to break the blacklist \tn 
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{\bf{Charlie Chaplin}} & Although never officially blacklisted, Chaplin faced significant scrutiny due to his political views and was effectively exiled from the United States after the release of "Monsieur Verdoux" (1947). He returned to Europe and did not come back to the U.S. for many years \tn 
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{\bf{Orson Welles}} & Welles, known for his groundbreaking work in film, also faced scrutiny and challenges due to his political beliefs and associations, though he was never formally blacklisted. His career was nevertheless affected, leading him to spend much of his later life working in Europe \tn 
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{\bf{Gradual Decline}} & By the late 1950s and early 1960s, the blacklist began to weaken as the political climate shifted and public support for the extreme measures of McCarthyism waned \tn 
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 & The success of films like "Spartacus" (1960), which openly credited blacklisted writers, marked a turning point in the industry's willingness to challenge the blacklist \tn 
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{\bf{Elia Kazan's Controversy}} & Elia Kazan, a director who named names before HUAC, faced ongoing controversy and criticism even after the blacklist ended. His receipt of an honorary Oscar in 1999 reignited debates over his actions during the blacklist era \tn 
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{\bf{Final Dismantling}} & By the 1960s, most studios had abandoned the blacklist, though the effects lingered for many individuals whose careers had been damaged or destroyed \tn 
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 & The Writers Guild of America began to restore credits to blacklisted writers, formally recognizing their contributions to films made during the blacklist era \tn 
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The Legacy of the Hollywood Blacklist}}  \tn
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{\bf{Impact on American Cinema}} & The blacklist had a profound impact on American cinema, stifling creativity and leading to a period of conformity and self-censorship in Hollywood \tn 
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 & Many filmmakers avoided politically or socially controversial subjects, resulting in a more conservative and less adventurous period in American film history \tn 
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{\bf{Cultural Memory and Reassessment}} & Over time, the blacklist has been widely condemned as an unjust and destructive period in American history, with many of those affected being posthumously honored and rehabilitated \tn 
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 & Films, documentaries, and books have explored the blacklist, its impact on individuals, and its broader implications for American society and culture \tn 
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The Legacy of the Hollywood Blacklist (cont)}}  \tn
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{\bf{Ongoing Debates}} & The legacy of the blacklist continues to provoke debate, particularly regarding the actions of those who cooperated with HUAC and the ethical dilemmas faced by individuals during this period \tn 
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 & The blacklist remains a cautionary tale about the dangers of political repression and the violation of civil liberties in the name of national security \tn 
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% That's all folks
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