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\author{RainyMoons (RainyMoons)}
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  /Title (film-history-lecture.pdf)
  /Creator (Cheatography)
  /Author (RainyMoons (RainyMoons))
  /Subject (Film History Lecture Cheat Sheet)
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    \vspace{-2pt}\large{\bf{\textcolor{DarkBackground}{\textrm{Film History Lecture Cheat Sheet}}}} \\
    \normalsize{by \textcolor{DarkBackground}{RainyMoons (RainyMoons)} via \textcolor{DarkBackground}{\uline{cheatography.com/153402/cs/44102/}}}
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  \vspace{-2pt}RainyMoons (RainyMoons) \\
  \uline{cheatography.com/rainymoons} \\
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  \mymulticolumn{1}{p{5.377cm}}{\bf\textcolor{white}{Cheat Sheet}}  \\
   \vspace{-2pt}Not Yet Published.\\
   Updated 13th August, 2024.\\
   Page {\thepage} of \pageref{LastPage}.
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\begin{multicols*}{3}

\begin{tabularx}{5.377cm}{X}
\SetRowColor{DarkBackground}
\mymulticolumn{1}{x{5.377cm}}{\bf\textcolor{white}{Introduction}}  \tn
% Row 0
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\mymulticolumn{1}{x{5.377cm}}{{\bf{Definition}}: Film history is the study of the development of cinema, from its inception in the late 19th century to the present. It explores technological advancements, key films, movements, and the cultural impact of cinema.} \tn 
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\mymulticolumn{1}{x{5.377cm}}{{\bf{Importance}}: Understanding film history helps in comprehending how cinema has evolved as both an art form and a means of mass communication.} \tn 
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\end{tabularx}
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\begin{tabularx}{5.377cm}{x{2.33919 cm} x{2.63781 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The Origins of Cinema (1890s–1910s)}}  \tn
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{\bf{Invention of Motion Pictures}} & {\bf{Eadweard Muybridge (1878)}}: Early motion studies with sequential photography of a running horse. \tn 
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% Row 1
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 & {\bf{Thomas Edison and W.K.L. Dickson (1891)}}: Developed the Kinetoscope, an early motion picture exhibition device. \tn 
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% Row 2
\SetRowColor{LightBackground}
 & {\bf{Lumière Brothers (1895)}}: Credited with the first public screening of films with their Cinématographe. Their short film "Workers Leaving the Lumière Factory" is one of the earliest films. \tn 
% Row Count 21 (+ 10)
% Row 3
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{\bf{Characteristics of Early Cinema}} & {\bf{Short Films}}: Typically only a few minutes long, often documenting everyday life or simple narratives. \tn 
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% Row 4
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 & {\bf{Silent Films}}: Films were silent, accompanied by live music or narration in theaters. \tn 
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\vfill
\columnbreak
\begin{tabularx}{5.377cm}{x{2.33919 cm} x{2.63781 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The Origins of Cinema (1890s–1910s) (cont)}}  \tn
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 & {\bf{Georges Méliès}}: A pioneer of special effects in cinema, known for films like "A Trip to the Moon" (1902). \tn 
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\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The Silent Film Era (1910s–1920s)}}  \tn
% Row 0
\SetRowColor{LightBackground}
{\bf{Development of Narrative Film}} & {\bf{D.W. Griffith}}: A key figure in developing narrative cinema, particularly with "The Birth of a Nation" (1915), which introduced advanced storytelling techniques but was also controversial for its racist content. \tn 
% Row Count 10 (+ 10)
% Row 1
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 & {\bf{Charlie Chaplin}}: Became a global icon with his character "The Tramp," blending comedy with social commentary in films like "The Gold Rush" (1925). \tn 
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{\bf{The Hollywood Studio System}} & {\bf{Formation}}: The establishment of major studios like Paramount, MGM, and Universal during the 1910s and 1920s. \tn 
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 & {\bf{Star System:}} Studios began to cultivate and promote movie stars, making them central to a film's commercial success. \tn 
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% Row 4
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{\bf{International Silent Cinema}} & {\bf{German Expressionism}}: A style characterized by distorted sets, exaggerated acting, and dark themes. Key films include "The Cabinet of Dr. Caligari" (1920) and "Metropolis" (1927). \tn 
% Row Count 38 (+ 9)
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\vfill
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\begin{tabularx}{5.377cm}{x{2.23965 cm} x{2.73735 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The Silent Film Era (1910s–1920s) (cont)}}  \tn
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 & {\bf{Soviet Montage}}: A film editing technique that emphasized the juxtaposition of images to create meaning, pioneered by filmmakers like Sergei Eisenstein in "Battleship Potemkin" (1925). \tn 
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\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The Transition to Sound (Late 1920s–1930s)}}  \tn
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{\bf{Introduction of Sound}} & {\bf{"The Jazz Singer" (1927)}}: The first feature-length film with synchronized dialogue, marking the beginning of the sound era in cinema. \tn 
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 & {\bf{Impact on Filmmaking}}: Sound revolutionized the film industry, requiring new techniques for acting, directing, and editing. \tn 
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{\bf{The Great Depression and Hollywood}} & {\bf{Escapist Cinema}}: During the Great Depression, Hollywood produced films that provided escapism for audiences, such as musicals and screwball comedies. \tn 
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 & {\bf{Gangster Films and Film Noir}}: Reflecting the darker realities of the era, films like "Scarface" (1932) and "The Public Enemy" (1931) depicted crime and moral ambiguity. \tn 
% Row Count 31 (+ 9)
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The Transition to Sound (Late 1920s–1930s) (cont)}}  \tn
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 & {\bf{Technicolor}}: The development of color film technology, with early examples like "The Adventures of Robin Hood" (1938) and "Gone with the Wind" (1939). \tn 
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\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The Golden Age of Hollywood (1940s–1960s)}}  \tn
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{\bf{WWII \& Cinema}} & {\bf{Propaganda Films}}: Both Axis and Allied powers used cinema to boost morale and promote their ideologies. In the U.S., films like "Casablanca" (1942) blended entertainment with wartime themes. \tn 
% Row Count 9 (+ 9)
% Row 1
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 & {\bf{Film Noir}}: A genre that emerged in the 1940s, characterized by its cynical worldview, moral ambiguity, and visual style influenced by German Expressionism (e.g., "Double Indemnity" (1944), "The Maltese Falcon" (1941)). \tn 
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% Row 2
\SetRowColor{LightBackground}
{\bf{Post-War Hollywood}} & {\bf{The Studio System Peak}}: The 1940s and early 1950s saw the height of the studio system, producing iconic films across various genres, including musicals like "Singin' in the Rain" (1952) and epics like "Ben-Hur" (1959). \tn 
% Row Count 29 (+ 10)
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 & {\bf{Challenges to the Studio System}}: The rise of television and the Paramount Decision of 1948 (which broke up studio monopolies) led to the decline of the traditional studio system. \tn 
% Row Count 37 (+ 8)
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The Golden Age of Hollywood (1940s–1960s) (cont)}}  \tn
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{\bf{International Cinema}} & {\bf{Italian Neorealism}}: A movement that emerged after WWII, characterized by its focus on the lives of ordinary people, using non-professional actors and on-location shooting. Key films include "Bicycle Thieves" (1948) and "Rome, Open City" (1945). \tn 
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 & {\bf{Japanese Cinema}}: Directors like Akira Kurosawa ("Seven Samurai," 1954) and Yasujirō Ozu ("Tokyo Story," 1953) gained international acclaim during this period. \tn 
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\hhline{>{\arrayrulecolor{DarkBackground}}--}
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\begin{tabularx}{5.377cm}{x{2.18988 cm} x{2.78712 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The New Hollywood Era (1960s–1980s)}}  \tn
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The Decline of the Studio System & {\bf{Television}}: The popularity of TV led to a decline in movie theater attendance, forcing Hollywood to innovate. \tn 
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% Row 1
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 & {\bf{Independent Filmmakers}}: The 1960s saw the rise of independent filmmakers who challenged the norms of the studio system, such as John Cassavetes and Robert Altman. \tn 
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\SetRowColor{LightBackground}
{\bf{The Counterculture \& Cinema}} & {\bf{Influence}}: The social upheavals of the 1960s and 1970s influenced cinema, leading to more experimental and socially conscious films. \tn 
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 & {\bf{New Hollywood Directors}}: Filmmakers like Martin Scorsese ("Taxi Driver," 1976), Francis Ford Coppola ("The Godfather," 1972), and Steven Spielberg ("Jaws," 1975) brought a new style of filmmaking that mixed artistic vision with commercial appeal. \tn 
% Row Count 33 (+ 12)
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\begin{tabularx}{5.377cm}{x{2.18988 cm} x{2.78712 cm} }
\SetRowColor{DarkBackground}
\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The New Hollywood Era (1960s–1980s) (cont)}}  \tn
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{\bf{Blockbuster Era}} & {\bf{Rise of Blockbusters}}: The success of films like "Jaws" (1975) and "Star Wars" (1977) marked the beginning of the blockbuster era, where high-budget films with mass appeal dominated the box office. \tn 
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 & {\bf{Special Effects and Technology}}: The late 1970s and 1980s saw significant advancements in special effects, exemplified by films like "E.T." (1982) and "Back to the Future" (1985). \tn 
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\begin{tabularx}{5.377cm}{x{2.33919 cm} x{2.63781 cm} }
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The Digital Revolution (1990s–Present)}}  \tn
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{\bf{The Impact of Digital Technology}} & {\bf{Digital Filmmaking}}: The transition from film to digital formats changed how movies are made, with directors like George Lucas pioneering digital cinema with "Star Wars: Episode I – The Phantom Menace" (1999). \tn 
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% Row 1
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 & {\bf{Computer-Generated Imagery (CGI)}}: The use of CGI became more prevalent in the 1990s and 2000s, leading to visually stunning films like "Jurassic Park" (1993) and "The Matrix" (1999). \tn 
% Row Count 20 (+ 9)
% Row 2
\SetRowColor{LightBackground}
{\bf{Globalisation of Cinema}} & {\bf{International Blockbusters}}: The global box office became increasingly important, with Hollywood producing films for worldwide audiences (e.g., "Avatar," 2009). \tn 
% Row Count 28 (+ 8)
% Row 3
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 & {\bf{Emergence of Global Cinema}}: Films from non-Western countries gained prominence, with directors like Wong Kar-wai (Hong Kong), Guillermo del Toro (Mexico), and Bong Joon-ho (South Korea) achieving international acclaim. \tn 
% Row Count 39 (+ 11)
\end{tabularx}
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\begin{tabularx}{5.377cm}{x{2.33919 cm} x{2.63781 cm} }
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{The Digital Revolution (1990s–Present) (cont)}}  \tn
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{\bf{The Rise of Streaming Services}} & {\bf{Impact on Distribution}}: The advent of streaming platforms like Netflix, Amazon Prime, and Disney+ has transformed how audiences consume films, challenging traditional theatrical releases. \tn 
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 & {\bf{Original Content}}: Streaming services have also become major producers of original films, with titles like "Roma" (2018) and "The Irishman" (2019) receiving critical acclaim. \tn 
% Row Count 19 (+ 9)
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\begin{tabularx}{5.377cm}{x{2.38896 cm} x{2.58804 cm} }
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{Major Movements in Film History}}  \tn
% Row 0
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{\bf{French New Wave (1950s–1960s)}} & {\bf{Key Characteristics}}: Breaking away from traditional filmmaking conventions, with innovative narrative techniques, handheld cameras, and a focus on personal expression. \tn 
% Row Count 9 (+ 9)
% Row 1
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 & {\bf{Notable Directors}}: Jean-Luc Godard ("Breathless," 1960), François Truffaut ("The 400 Blows," 1959). \tn 
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{\bf{New German Cinema (1960s–1980s)}} & {\bf{Key Characteristics}}: Addressed the cultural and political issues of post-war Germany, often with a critical perspective on German history and society. \tn 
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 & {\bf{Notable Directors}}: Rainer Werner Fassbinder ("Ali: Fear Eats the Soul," 1974), Werner Herzog ("Aguirre, the Wrath of God," 1972). \tn 
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\mymulticolumn{2}{x{5.377cm}}{\bf\textcolor{white}{Major Movements in Film History (cont)}}  \tn
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{\bf{Dogme 95 (1990s)}} & {\bf{Key Characteristics}}: A Danish film movement that rejected expensive special effects and technology in favor of a focus on story, acting, and theme. \tn 
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 & {\bf{Notable Directors}}: Lars von Trier ("Breaking the Waves," 1996), Thomas Vinterberg ("The Celebration," 1998). \tn 
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\begin{tabularx}{5.377cm}{X}
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\mymulticolumn{1}{x{5.377cm}}{\bf\textcolor{white}{Conclusion}}  \tn
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\mymulticolumn{1}{x{5.377cm}}{{\bf{Significance of Film History}}: Understanding the history of film provides insights into the cultural, technological, and artistic developments that have shaped the medium. It allows us to appreciate the innovations and influences that continue to drive cinema forward.} \tn 
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\mymulticolumn{1}{x{5.377cm}}{{\bf{Ongoing Evolution}}: As cinema continues to evolve with new technologies and global influences, the study of film history remains crucial in understanding the past, present, and future of the medium.} \tn 
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% That's all folks
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