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\author{churger}
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  /Title (english-lit-lang-anthology-i-am-i-am-i-am.pdf)
  /Creator (Cheatography)
  /Author (churger)
  /Subject (English Lit/Lang Anthology {[}I am, I am, I am{]} Cheat Sheet)
}

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    \vspace{-2pt}\large{\bf{\textcolor{DarkBackground}{\textrm{English Lit/Lang Anthology {[}I am, I am, I am{]} Cheat Sheet}}}} \\
    \normalsize{by \textcolor{DarkBackground}{churger} via \textcolor{DarkBackground}{\uline{cheatography.com/185877/cs/38889/}}}
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  \mymulticolumn{2}{p{5.377cm}}{\bf\textcolor{white}{Cheatographer}}  \\
  \vspace{-2pt}churger \\
  \uline{cheatography.com/churger} \\
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  \mymulticolumn{1}{p{5.377cm}}{\bf\textcolor{white}{Cheat Sheet}}  \\
   \vspace{-2pt}Published 23rd May, 2023.\\
   Updated 23rd May, 2023.\\
   Page {\thepage} of \pageref{LastPage}.
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  Measure your website readability!\\
  www.readability-score.com
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% www.emerson.emory.edu/services/latex/latex_169.html
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\begin{multicols*}{3}

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\mymulticolumn{1}{x{5.377cm}}{\bf\textcolor{white}{About this memoir chapter}}  \tn
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\mymulticolumn{1}{x{5.377cm}}{A memoir doesn't need to follow a structured or progressive narrative, but does follow specific moments in your life. O'Farrell skips time and doesn't tell her stories chronologically. \newline % Row Count 4 (+ 4)
This memoir in particular focuses on how a person felt about an event rather than the factual details, evoking an emotional reaction from readers.  \newline % Row Count 7 (+ 3)
At this point in the novel, readers would've already read many near-death experiences of O'Farrells. Each chapter is named after a particular body part that would've killed her- such as this chapter, called "Cranium", where a lorry was just a centimetre away from striking a fatal blow to her cranium. \newline % Row Count 14 (+ 7)
GRAMPS \newline % Row Count 15 (+ 1)
{\bf{Genre:}} Memoir \newline % Row Count 16 (+ 1)
{\bf{Register:}} Informal \newline % Row Count 17 (+ 1)
{\bf{Audience:}} fans of the author, people who want to read memoirs. \newline % Row Count 19 (+ 2)
{\bf{Mode:}} Written \newline % Row Count 20 (+ 1)
{\bf{Purpose:}} To inform others about her experience, to reflect.  \newline % Row Count 22 (+ 2)
{\bf{Subject:}} O'Farrell goes on a walk with an unnamed man by a river, they talk "about their situation", and a dog "appears, out of nowhere". They walk with the dog and it nearly walks in front of a lorry- she yanks the dog back, and she feels the wheel just nearly passing over the top of her skull, "a centimetre" away. They are caught in the backdraft of the lorry but they continue- she says nothing of the near-decapitation to the man she is walking with.% Row Count 32 (+ 10)
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\mymulticolumn{1}{x{5.377cm}}{\bf\textcolor{white}{Analysis}}  \tn
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\mymulticolumn{1}{x{5.377cm}}{{\bf{Chronological structure }}but influenced by her {\bf{reflective voice.}} \newline % Row Count 2 (+ 2)
{\emph{Influenced by her knowledge of what happens}} \newline % Row Count 3 (+ 1)
{\bf{Childlike imagery:}} "They have fallen in love, instantly, dizzyingly" \newline % Row Count 5 (+ 2)
{\bf{Syntactic parallelism, asyndeton and anaphora:}} "There are obstacles. Other people stand in their way- other hearts, other minds, other situations.", "she looked at his, he looked at hers"  \newline % Row Count 9 (+ 4)
{\bf{Indicative mood}} "a cottage hospital?" to "picture-book style." - Vividly describing the setting/moment, this is significant as it romanticises the memory. \newline % Row Count 13 (+ 4)
{\bf{Language of injury:}} "a childhood scar on his abdomen" - sexual undertones continue after this quote, and the language of injury continues later with the truck incident itself. \newline % Row Count 17 (+ 4)
The use of "scar" could also be a {\bf{metaphor}} for lasting wounds.  \newline % Row Count 19 (+ 2)
{\bf{Language of consumption:}} "bite him, like a peach."   \newline % Row Count 21 (+ 2)
{\bf{Parallelism}} "unavoidable and yet unconscionable" - reflects their conundrum.  \newline % Row Count 23 (+ 2)
{\bf{Juxtaposition and ellipsis:}} "How can we? How can we not? This is a bad idea, this is the best idea" - confliction. Avoiding labelling the sin (affair?).% Row Count 27 (+ 4)
} \tn 
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\mymulticolumn{1}{x{5.377cm}}{{\bf{Euphemism:}} "When they walk on, the dog comes too, darting head on the path, looping back, diving between them, begging for sticks to be selected, tossed, re-thrown. It thrusts itself past their ankles as they continue to talk, it plunges in and out of the undergrowth, it gazes up at them" - euphemism for their love for each other. Energetic, yet unpredictable. \newline % Row Count 8 (+ 8)
{\bf{Metaphor:}} - "thinking only to protect this animal, who has appeared from nowhere, who approaches the world and all it has to offer with such trust" The safety of the dog was worth protecting at the price of her skull. \newline % Row Count 13 (+ 5)
{\bf{Colloquial language, listing of euphemisms for death:}} "that would have been it. Curtains. Kick the bucket. Carked it. End of the line. Lights out. Bitten the dust. Gone the way of all flesh. Given up the ghost." - light-hearted and flippant. \newline % Row Count 18 (+ 5)
{\bf{Language of anatomy:}} "to the muscle and bone nearest his heart" she has thought over the situation many times, and has an understanding of the anatomy. \newline % Row Count 22 (+ 4)
{\bf{Nature language:}} "They walk on along the road and back into the forest where the light is patched and green, where the path is winding, diverging, not always clear. The dog comes too." - the language of nature here is more negative following the event, it's shifted and has focused more on the danger.% Row Count 29 (+ 7)
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% That's all folks
\end{multicols*}

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